Sheep raisers, resentful of old injuries from the cattlemen, bar the way to water when dry ranges force the cattle ranchers to drive their herds into the lowlands.
Gold miner Roger Hazard brings his twelve year old son Casper to the treacherous gold fields of 1870s California. The two of them work a small mine in the southern fields but when Roger begins to lose touch with reality young Casper ends up on his own. Casper faces danger around every corner but must find the strength to save his father from himself and still manage to fight off the savage Indians and ruthless bushwhackers that plague them across California's breathtaking Sierra Nevadas.
Driving a herd of cattle to market, Jimmy finds the trail has been fenced off by an old friend of his. While the two sides try to settle the matter peaceably, a man from each outfit get together to try and start a range war between them figuring they will end up with the cattle. When cattle are rustled, Jimmy finds the clue, horses with shoes that make tracks that look like cattle.
Gracia, a half-breed Indian girl, plots with Cons Saunders to steal cattle from Blake because he is oblivious to her charms. With his stock gone, he cannot repay the money he owes his Uncle Benedict, and when Benedict is murdered, Blake is suspected. Because Blake has taken care of Saunders (Cons's father) for the many years he has been without the use of his legs, the latter is finally conscience-stricken and confesses to the crime, thus freeing Blake to marry Diana.
Opera star-cum-cowboy hero George Houston stars in PRC's The Lone Rider Fights Back. Appropriately enough, Houston disguises himself as a musician to get the goods on a gang of terrorists. The principal villain hopes to scare the local miners off their land, so he can move in and clean up.
The title insurrection in this low-budget Whip Wilson Western consists mainly of Iron Eyes Cody, who is conspiring to raid the wagon trains with crooked sheriff Marshall Reed and nefarious Indian agent Forrest Taylor.
Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).
Working undercover, Allen and sidekick Mendoza are out to stop the mail train robberies. Rivers and his gang are the culprits and by joining up with them, they hope to get the evidence they need.
Two celebrated gunfighters are separately hired to come to a small Canadian town in Manitoba named "Glory" for a showdown at high noon. But before they can do that, they join forces and take on a bandit gang that dominates the area.
Tom Mix plays Jack Kilmeny, an Englishman who owns a gold claim in the U.S. Jack has two problems -- his worthless partner Curly (Jack Nelson), and the British company on the land next to his who hope to jump his claim.
Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.
Hawk of the Hills (1927), a ten episode serial, re-edited into a five-reel feature length version released in 1929. Newhall, California. A band of Indians led by the half-breed 'The Hawk' terrorizes prospectors in a valley. When the old prospector Clyde Selby hits the mother lode, The Hawk plans to kidnap his pretty blond daughter Mary Selby. This kidnapping actually proves one of the lesser of the perils faced by the poor Mary. Laramie, a government agent, wants with the help of his friendly Shoshone Indian friends to extricate the damsel-in-distress.
A little girl living on an isolated ranch claims to have formed a bond of friendship with a pure white, "wild" stallion. The horse is well known in the area, almost legendary, and supposedly vicious. Is she just making it up, or is she telling the truth? If it's real, isn't it dangerous for her with a "killer" horse? Or is the horse as vicious as he's been portrayed?
A poor man, the father of a young child, wants his offspring to have a Christmas such as every child is deserving of. He is penniless. For the love of his child he commits burglary.
Mix is Grant Malvern, a rancher who befriends scientist Quentin Durant (Tom S. Guise) after rescuing him from a trio of Chinese crooks. The crooks want to find Durant's Arizona gold mine, and the map to the location is contained in a pair of rings. After the crooks track down Durant and kill him, one of the rings winds up with Durant's daughter, Helen (Adams), and the other falls into Malvern's hands.
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