A bounty hunter wants to catch the Bandit Carson because he has a lot of people in his gang who are worth a lot of money. When he comes into White City he gets his first problems with Carson's son Lucas. After this incident Carson wants this man dead. They can catch him but not for a long time because he can escape with the help of Zoppo who the bounty hunter had helped a couple of days before.
One of a multitude of short Westerns directed by D.W. Griffith in the early days of film has the distinction of being the screen debut of Western star Harry Carey in a minor role.
Overland mail riders Jack Mason and his pal, Porchy, learn that an Indian uprising is imminent because one of the tribe has been murdered by a gang of outlaws. The primary town of the mail route is also being used as a hideout and base of operations for a gang of counterfeiters led by Joe Polini. Jack and an undercover federal agent, Duke Evans, round up the counterfeiters and turn Polini over to the Indian Chief as the killer of the brave.
Two unlikely companions face gun-slinging cowboys and their own personal family conflicts as they learn the importance of friendship, loyalty, and forgiveness.
Marshall Bravestarr is the lawman of the wild-west planet "New Texas" with help from Thirty-Thirty, his cybernetic talking horse and Deputy Fuzz, his sidekick and Shaman, his mentor. Bravestarr with his special powers fights the outlaw Tex-Hex, the leader of the Carrion Bunch, who are after the mineral Kerium, Bravestarr sets out to set things right and enforce peace and justice on "New Texas".
Three bank robbers on the run happen across a woman about to give birth in an abandoned covered wagon. Before she dies, she names the three bandits as her newborn son's godfathers. Remade as Three Godfathers (1936) and 3 Godfathers (1949).
In an unforgiving battle for his soul, a grizzled middle aged man, plagued by a myriad of ailments, becomes the target of nightmarish creatures dispatched by the Ferryman of the River Styx. Refusing to settle his debt, he battles to outlast these henchmen of Death in a high stakes struggle for his very existence.
After the hero Julio Valiente was ambushed by Señor Escobar, there was no stopping him from being the head of San Basilio and thereby claiming all the lands, when people are tired of his doings a new Julio Valiente appeared in the person of Islaw and saves San Basilio from the tyrant hands of Señor Escobar.
No relation to the 1950 Frank Capra film of the same name, the 1943 Technicolor musical Riding High is a by-the-numbers vehicle for Dorothy Lamour and Dick Powell. Lamour stars as Ann Castle, a former burlesque queen who heads westward to claim her father's silver mine. Powell plays mining engineer Steve Baird, who like Ann has a vested interest in the worked-out mine. With the help of genial counterfeiter Mortimer J. Slocum (Victor Moore), Steve and Ann are able to peddle mining stock, thus saving her from bankruptcy. The stockholders are in a lynching mood when it appears that they've been flim-flammed, but a last minute "miracle" saves the day. Featured in the cast are Paramount stalwarts Cass Daley and Gil Lamb, the former doing her quasi-Martha Raye act and the latter swallowing his harmonica for the millionth time. Production values are excellent and the songs are exuberantly performed; it's only in its hackneyed plot that Riding High slows to a clip-clop.
The pretty dancer and the casual cowboy visitor at the cabaret fell in love. A Mexican waiter loved Chiquita. A Gringo get this dainty bundle of Spanish nerves and beauty? Never! He planned to destroy the cowboy lover by a drop of poison in his cup.
A movie company comes to Oklahoma to convince legendary lawmen Bill Tilghman to star in a bank robbery silent film featuring real outlaws. Tilghman reluctantly agrees, not realizing everyone's lives will never be the same.
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