With a simple plot and not much else, this undistinguished western is about Gabe (Jack Beutel), a rodeo name whose penchant for gambling causes him to lose all the money he made and quickly look for a steady job. Gabe ends up on a ranch plugging away as a cowhand but cannot escape his affinity for horses. Lou (Steve Keyes) and his sister Nancy (Madalyn Trahey) own the ranch and Lou comes into conflict with Gabe when he decides to kill a wild Palomino. Gabe will not allow it because he knows the stallion can be tamed. Environmentalists and others should enjoy the bloopers which put moose in Oklahoma, a raccoon in the 'possum family, and several animals in the wrong proximity.
Before he was killed by Mark Foster's men, Bud Lawton willed part ownership in his ranch to Hoppy and his two pals. When the three arrive they find a fake posing as Lawton. When they expose the imposter, Foster gets the Sheriff to jail them for Lawton's murder.
When a cattle baron starts using trail hands to terrorize homesteaders in a small mining town, a preacher comes to the rescue. With a Bible, not a gun, this man is able to sway the homesteaders into standing their ground for their rights to free land.
John Harlan, a crazy prospector living with his daughter in Nevada, accidentally discovers gold. He is so enthused over it that he immediately goes to the town saloon, where he informs everybody.
Cowhand Jim Cleve is wrongly accused of murder and rescued by Jack Kells, leader of a band of Idaho outlaws known as the Border Legion. But when the Legion takes Joan Randall prisoner and leaves Cleve to guard her, he realizes that he cannot remain part of an outlaw band and decides to rescue Joan.
"If you don't have your own plan, you'll damn sure be a part of someone else's." That quote kicks off the first of multiple story lines, in the crime ensemble "Bubblegum & Broken Fingers." This character-driven collage of sex, violence and survival is equal parts western, gangster and love stories. We follow the journey of a mysterious silver briefcase and witness the havoc it brings each new owner.
Sunset Carson, ace driver for the Harding Stagecoach Line, persuades his boss Frank Harding (Edmund Cobb) to hire his brother, Jeff (Bob Steele), recently released from the penitentiary. Sunset isn't aware that Jeff owes his release to Marc Redmond (Tristram Coffin), owner of the rival line, and that Redmond is forcing Jeff to give him advance information when the Harding stages are carrying valuable shipments, so that his henchmen can rob the stage and force Harding out of business.
Hudson river fur hunters rebel against their English masters in this pre-Blind Dead effort from de Ossorio. Victor, chief of the rebels, kidnaps Ann from the ruthless landowner, Sullivan, as a bartering tool. Ann and Victor, in love, fight together against Sullivan for a free life together.
Charley Gray is about to be released from the state penitentiary after serving a long term for the robbery of a government gold shipment. The gold was never recovered, so the Texas Ranger chief has Ranger Panhandle Perkins planted in the prison as Charley's cell-mate in the hopes Charley will tell him where the loot is buried. Charley has a map of the location but is afraid it may be discovered so, while Panhandle is asleep, he draws a copy of it on the sole of Panhandle's foot. Charley then destroys the map but intends to keep "Panhandle" close to him upon their release from prison. Charley makes Panhandle accompany him back to the town where the rest of the hold-up gang is holed up. They go to the saloon owned by Steve Martin, also a member of the hold-up gang, but Charley was the one who buried the loot before he was captured and Charley has no intentions of divulging the location of the gold. Written by Les Adams
Three musicians arrive in a Mexican village destroyed by El Supremo and learn, from the only survivor, of the lost treasure of Montezuma hidden in an Aztec temple. Along comes Pecos and the search is on. Source: SWDB www.spaghetti-western.net
Carmenita is the daughter of a Mexican innkeeper and is loved by all. One day two young Mexican ruffians enter and make vulgar love to her, much to her dislike, when Frank Dougherty, a young cowpuncher enters, and protects her.
Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.
In this above-average western, a villainous land grabber attempts to force horse ranchers to sell their ranches so he can become king of the horse market. One stubborn rancher refuses to relent and his killed. His two surviving sisters then continue the fight. They are soon assisted by a passing drifter who ends up falling for one of them. In the end a gunfight between the good and bad guys ensues.
To spite her domineering father, Eastern girl Lucy Fox pursues an unsuitable suitor to a small Western hamlet where she obtains a job as a manicurist. A local rancher (Buck Jones), who has fallen for the girl, does his best to persuade her not too marry the bounder.
This "Red Ryder" entry stars Gordon "Wild Bill" Elliot as Ryder. The heroine is having troubles with the freight company that she owns. Time and again, her coaches are beset by hooded thieves. With Red Ryder on the job, the robbers haven't got a chance, but they put up a fight anyway.
The Texas Rangers take on a shyster who is trying to bilk a family of their money after he learns that an oil company thinks their land may contain the black gold.
After serving his county in the Civil War as a skilled sharpshooter, Will Drayton moved West in search of employment using his shooting skills. He ends up with the wrong type of people as a deadly assassin.
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