Whitley and his singing group want to make time with young ladies at a finishing school...and vice-versa. However, the old matron in charge threatens to shoot Ray and his men so they come up with a plan to trick her.
There is a feud of 30 years' standing between the Revelle and Wainwright families, dwelling in the Apache country, despite which Shirley, daughter of Martin Revelle, and Clem Wainwright fall in love. The lovers are discovered meeting by Clem's rival, Ben Larrago, who informs on them (Exhibitors Trade Review, 23rd May 1925).
Gilead is a lumber town that is dominated by two branches of the Kidder family: the puritanical, ultra-conservative side led by Enoch and his son John, and the hedonistic branch led by Enoch's brother Aaron. Aaron plans to sway John to come over to his side by using a young girl who has lost her memory to lure him over, but when he kidnaps her John sets out to free her. Complications ensue.
An honest forest officer, Vikram, is in love with Angela, and soon both get married. Their marriage and bliss is shattered when dacait Kehar Singh kills Angela. When Vikram sets out to avenge her death, he himself is framed and sentenced to prison. When he completes his sentence, he comes out only to be a suspect again, this time in the eyes of Neeta, who thinks he killed her dad.
The beginnings, development and decline of so-called spaghetti-western genre; with clips, interviews and opinions of producers, actors and directors. A nostalgic look at those movies that are still in the taste of many.
On the Western frontier, the Pink Panther is a traveling vendor of pep pills. He unwittingly sells some pills to a frail criminal, who gains the strength to rob every bank in a nearby town! Thus, the panther is in as much trouble with the law as the robber and must act to apprehend the scoundrel.
György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.
Jack Hartley, the foreman of the Triple X Ranch, is engaged to Nellie Monroe, the ranch owner's daughter. A quarrel starts between Jack and "Red" Williams, a cow-puncher, when the latter first makes advances to Nellie, and second, when Williams abuses a faithful Indian ranch hand. On this latter occasion Jack is unable to restrain his temper.
The three Diablo brothers are effete dandies who love chamber music and afternoon tea... but they also love brawling and whoring and all that wild west stuff. They inherit a ranch, and all hell breaks loose when they go to take ownership of it.
Hearing his brother the Express Clerk is in trouble, Bob Williams rides to the Express Office only to find the safe open, his brother and the money missing, and himself accused of the robbery. To clear himself he trails and finds the outlaws engaging them in a fight. But during the melee, the gang leader double-crosses his men and sneaks away with the money and Bob now has to catch him.
Daring Cabellero was the third of producer Phil Krasne's Cisco Kid "B" westerns. Duncan Renaldo and Leo Carrillo return as Cisco and Pancho, roles they'd carry over into a popular 1950s TV series. Once more stumbling into a dangerous situation, Cisco and Pancho risk their own necks by saving an innocent man from hanging. Eventually, our heroes learn that a corrupt political machine is behind the killing. Leading lady Kippie Valez is cast as "herself," which must have meant more in 1949 than it does today. Unlike the subsequent TV series, Daring Caballero does not end with the leading actors reciting their standard mantra "Oh, Pancho! Oh, Cisco!"
A comedy centered on the character of Pepito. It is an Italian western made before the Spaghetti western era and it is at the same time a parody of the western genre.
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