When law and order fade into distant memory in Angel City, the townspeople yearn for the era of the Iron Riders, a band of men who took justice into their own hands and brought order out of chaos. The organizer of the group was John Lannigan, whose son Larry decides to take up the mantle of the Riders once again.
Texas Ranger Ranny Maitland's father is feuding with his neighbor Lockhart. Pretending to be on Lockhart's side in the feud, Ranny goes to investigate. Meanwhile is father is murdered and Lockhart arrested.
Lovely senorita Maria Alvaro is rescued from a gunshot wedding to foppish Senor Valdez practically on the steps to the church by daredevil rider Jim Collins.
A "special" by Monogram standards, Lure of the Wasteland was lensed in a not inexpensive process called Telco-color. Grant Withers takes a break from his duties in the "Mister Wong" series to play Smitty, a US marshal assigned to track down $250,000 in stolen bonds.
Leary is using the Express Agent's liking for alcohol to enable his men to steal insured packages. Then he claims the insurance. Railroad Agent Hartley is sent to investigate and suspecting Leary, he and the Sheriff plan to trap them the next time they try their scheme.
A story of the West in the days when the sheriff was more powerful than the mayor or governor. It tells of the sacrifices made by a sister for a brother and the virile, big-hearted nature of a stage-driver who is made sheriff and solves a mystery that hangs over the lives of two innocent people.
John Steele, a rich uncle, threatens to disinherit his nephew, Tom Steele, unless the latter learns to curb his violent temper. Tom is put on a 30-day trial and must resist all temptation to get mad or fight back no matter how provoked. And he is easily provoked, especially when called a lavender sissy-boy.
The "gentleman" is played by John King, but the star of the show is J. Farrell McDonald, cast as a chronic gambler named Coburn. When the old man loses every penny he has, wandering cowboy Pokey (King) comes to the rescue by grooming a wild stallion for a successful racetrack career. Everything comes to a head during the climactic Big Race, with the expected (but still satisyfing) results. Ruth Reece and Joan Barclay share the leading-lady responsibilities, while the villainy is in the capable hands of Monogram's ace utility actor Craig Reynolds.
An American army officer, Kenneth Holbert, is after a Mexican bandit, El Zorro, who he doesn't know is his long-lost twin brother. Dorothy Holbert has a hard time figuring out which is which, especially since Romanian native Renaldo uses the same accent for both brothers.
The Chief's son, Silver Water, returns from college and is met at the station by the tribe. The Indians make merry to celebrate his homecoming. Hal Benton, an easterner, rides on to ask his way to the hotel, where he is stopping with some friends, among them his fiancée, Veda Mead, and her father. Knowing that the Indian ceremonies will interest his friends, Hal obtains permission to come the next day and bring his friends. The Chief calls Morning Star, an Indian maiden, telling his son that she is to be his squaw. Silver Water is pleased with her. The next day Hal Benton and his friends arrive. While the others inspect the camp, Veda Mead amuses herself with Silver Water and ere long is thoroughly infatuated with him, while the Indian's vanity is touched by the attentions of the society coquette, and he promises to meet her the next day. Their little tete-a-tete is cut short by the entrance of Morning Star.
In "Sabor a Sangre" (literally, "Flavor of Blood"), Antonio Aguilar plays Mauricio Rosales, whom along his good friend Chelelo (Eleazar García) are traveling towards another friend's ranch. During their trip, they find the dead bodies of a group of men, so they take them to the next town hoping to find some answers. At the town, they are informed that the dead men were a posse sent by police chief Rómulo (José Gálvez) to kill "El Tigre", a mysterious serial killer who has been hunting down the townspeople, viciously killing even women and children. (cont. http://w-cinema.blogspot.de/2008/03/sabor-sangre-1977.html)
100 Days. 100 gritty souls. 100 wild mustangs. That's the premise of the annual Extreme Mustang Makeover, a competition that challenges horse trainers - both pros and amateurs - to each tame a totally wild horse in order to get it adopted into a better life beyond U.S. Government corrals. Intimately following a handful of participants in the 2009 event from their first uneasy meeting with their horses and up through the competition and adoption, the film documents the deep and profound bonds that can develop between man and beast.
BIG MUDDY follows Andy, a teenage outlaw, forced into a life of crime by his nefarious mother Martha and her ne'er do well boyfriend Tommy. When a mysterious drifter, Donovan, shows up at the gang's hideaway to settle a score, Andy comes face to face with his long forgotten past.
Dave Collins is a young man who is bequeathed a ranch on the condition that he marry the late owner's granddaughter Lucille. But when he arrives at the ranch with young sidekick Spuds in tow, Dave finds that a distant relative of Lucille's, Ray Foster, has taken his place. Foster hires tough Bart Haywood to kill his rival, and soon our hero is hogtied to a handcar in the path of an approaching train.
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