The only key to a young woman's fortune lies in a marking on the leg of a horse called The Ghost of the Gauchos. But the woman's guardian, her uncle, plots to steal her wealth.
Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.
Digno is an ordinary man with extraordinary strengths. He is known to his fellow townspeople as Markado the knight in shining Armour. However, his life turned upside down when Rilampago pretends to be Markado. Peace and order was eradicated as he portrays to be Markado so he can pursue his illegal acts. Witnessing the preconception and the dreadful effect of the make-believe Markado. Digno seeks vengeance to reinstate the peace and order in their town. Notwithstanding the battle he is into, a mystery is being unraveled as he gets closer to the bad guys.
When he catches wind that bookish George Parradine (John Eldredge) is actually a ruthless outlaw who's had one man killed and is now trying to steal a fortune from another, U.S. Marshal Rocky Lane (Allan Lane) poses as a bandit and infiltrates Parradine's gang. But Rocky's quest for justice is jeopardized when the dead man's son (George Nader) also goes undercover to get revenge on his father's killer. Fred C. Brannon directs this 1950 Western.
The eldest member of a rural community of grape growers refuses to sell his land to a greedy real estate company. When he seems cornered by the dirty tactics of a corrupt businessman, he must decide whether to give up everything he owns, or take control of the situation.
"Lightning" Jack inherits a ranch. Unfortunately, he is forced to share his inheritance with Donaldeen Travis, a snobbish debutante type who arrives from the East with her mammy and sister in tow. Donaldeen takes an immediate dislike to the uncouth "Lightning" and spends time instead with smooth-talking neighbor Currier King.
American federal agent Clark Stuart is on assignment in Santa Fe to draw up a trade agreement with the newly installed Mexican governor. Meanwhile, Walter Jamison leads a wagon train from Missouri, hoping to take advantage of the new agreement. Among Jamison's passenger are famed frontiersman Jim Bowie and a very youthful Kit Carson. The destinies of all these personalities intersect when villainous ex-governor DuPrey schemes to undermine the treaty and take over the New Mexico territory for his own vile purposes. Somewhere along the way, Davy Crockett joins the "good guys" in their efforts to thwart the despicable DuPrey.
For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief.
William S. Hart stars in this 1925 silent film as a cowboy intent on claiming land during the 1889 land rush in the Oklahoma Territory. Though hardened from years of taming the new frontier, he falls in love with a beautiful woman. Before he settles down, however, he must contend with men who wish to bring him harm. In the prologue of the 1939 Astor Pictures revival of this film, Hart gives a moving eight-minute introduction-- the first and only time he appeared in a film accompanied by his striking voice.
Elsa, a young girl from Buenos Aires, visits her aunt and uncle, Don Alfredo and Doña Cristina, at their ranch. While playing golf, Elsa meets a gaucho, Antonio, and is enchanted by his exquisite singing voice.
Set in a western town, the stooges are working as waiters in a saloon with the three girls they hope to marry. The proprietor of the saloon is a crook who, with his partner, has buried $40,000 of stolen money. The boys go prospecting in hopes of raising enough money to pay off the debts of their fiancée father, who owes money to their boss. They dig up the stolen money, which the crooks recognize as their loot and abscond with. A wild chase ensues, ending with the bad guy's car crashing into the Sheriff's office.
Two men are accused of killing their boss. They are saved from the hangman's noose when two other guys are arrested, but Holt feels as though justice is still not being served. On their own, they set about to track down the genuine killer.
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