The sheriff lives with his sister, and is engaged in running down an unknown bandit who has been quite active in the district. It develops that Jim Brown, a poor miner, who has lost his wife and is in straitened circumstances, has become embittered at the world and is the bandit, living alone with his little boy, Tom.
Broncho Billy, sheriff of Cheyenne County, in love with Marguerite Clayton, is accepted by her. Marguerite's father approves of the engagement. Little did Broncho Billy know the father of the girl he is going to marry is a notorious outlaw. After holding up a stage one day, Clayton is pursued by the sheriff and his posse.
After the murder of his father by a local biker gang, Cole returns home to inherit his ranch despite his step-mother and brothers determination to keep it for themselves.
Wanah-to-mah, a son of the forest, is in love with Mah-to-mee. George Bradford, a stranger and prospector, sets camp in the forest and, by his carelessness, sets the forest afire. Mah-to-mee makes a great impression on the stranger and he tries to work his eastern tactics on her. He is rebuked.
A suicidal carpenter confuses a runaway fugitive to be his deceased wife, and feels he must defend her from the relentless bounty hunter who pursues her.
Crimea. The middle of the 19th century. A proud and brave jigit Alim Aidamak who cannot put up with the workers’ abuse, works at the leather factory of the greedy Ali-bay. One day he responds in kind. He is fired, but he takes the memories of the beautiful daughter of his ex-master, Sara, with him. Young people went their separate ways. Alim takes the revolutionary path; he and his friends go to the mountains and start an underground struggle. Only his name is enough to terrify landlords, Mirzas and civil servants. Authorities send a Cossack detachment to catch the Crimean Tatar Robin Hood.
The adventure film, which reminds an American western, was filmed based on a Crimean Tatar legend, which in 1925 was turned into a play by the repressed Crimean Tatar writer Ipchi Ümer. The shooting of the film under the script of the Ukrainian avant-garde poet Mykola Bazhan began in the autumn of 1925, when the indigenisation policy in the national republics caused demand on the national plots.
A pioneer caravan is attacked by Indians, who greatly outnumber the pale faces. The whole party are massacred, with the exception of a year-and-one-half old baby, who being hidden by its mother, escapes detection. Whitey is a big, bashful cowpuncher, who secretly worships at the shrine of the only eligible woman in camp, a buxom widow.
A deserting soldier encounters a wagon train of settlers. When they are faced with an Indian attack, he risks court martial to return to the Army post for help.
Haunted by nightmares of her past, a damaged vigilante returns to her old cult to rescue other prisoners. Along the way, she encounters a childhood friend, determined to save him from the clutches of their old cult leader known as The Wolf.
Helen's father is the President of a railroad company competing for a very lucrative government contract. A rival company organizes sabotage and Helen is the only one who can save the day.
Broncho Billy shoots an outlaw for making a disrespectful remark about his sweetheart. After the shooting he hastens to her home and tells her he has shot a man, but does not know who he is. Shortly after the remainder of the gang of outlaws arrive and, to learn the direction Broncho went, tell her it was her father who was shot.
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