Henry Carter, a forester, has but one falling, that of drink. Despite his efforts to cure himself of his terrible habit, temptation is always stronger than his will, and Agnes, his daughter, is in despair. Finally persuaded to take treatment at a sanitarium by Rev. Small, Carter decides to give it a trial.
Tom Wallace lives with his uncle, John Higgins, and Tom is the sole heir to his uncle's wealth. Joe Watkins, the sheriff, and Higgins are life-long enemies, and when Higgins discovers that Tom is in love with Fern Watkins, he threatens to disinherit Tom.
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
A bounty hunter in a post apocalyptic wasteland is hired to track down an outlaw. But he's not the only one out looking for her, and the job is nothing like he expected.
It is 1886 in South Dakota, and Harrius, a 70-year old wounded wanderer, seeks redemption. Through her encounters with a parched landscape and beings both physical and metaphysical (including a virtual labyrinth of mounds, geisha dancers and her pious lace-maker double, Alma), Proud Flesh is no mere re-visioning of the American Western. It is a meditation on the iconography and gestures contained within the genre itself.
Witless bounty hunters Stokely and Carmichael try to win a horse so they might actually catch some criminals - but the old west is a wild and wistful place. Perfect for a couple of goofballs.
In this re-edited, re-titled version of 'Conversion of Frosty Blake, The (1915)', some character names are changed but the story, of a New England pastor who goes out west for his health and encounters a gun-toting dance-hall owner and a beautiful dancer, remains fairly intact.
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