The Wild West heroine Calamity Jane roams through time. Excluded from history, she revels in lore. “I dreamed it better. I dreamed it big.” North American Western mythology is subverted, celebrating an alternative outsider position. Featuring a scratched and mixed score by contemporary audio artist Michelle Irving.
In these strange times around vaccines and mandates, there's only one man prepared to make the tough decisions. Tom Sawyer is a bounty hunter who is committed to presenting those against vaccines with a choice: the syringe or the gun, either way, they're getting a shot and Tom's getting paid.
The year is 2022 but Ignore that, The location is my bedroom but ignore that. This is a wild west shootout DROPKICK style. Everyone's favorite Dropkicker is back for the 10/30/2022 edition of the Dropkick series.
Cowboy escaping from the drought in the Northeast Brazil meets some officers led by a cruel lieutenant, whose main objective was to catch organized outlaws and invade the small town of Juazeiro. They arrest and torture him, hoping he would tell them the whereabouts of Padre Cícero, a prominent religious leader of the place. But he manages to escape and arrives in Juazeiro. The police invade the city and arrest the believers who were celebrating a party for Padre Cícero.
Rockefeller is a tough and resilient man, who has spent his life as a cowboy in the Wild West, always without fear and without remorse. He is the head of a large family, which he leads with authority, sharp words and a passionate temperament. In the village, Rockefeller faces an alcoholic doctor, a wise wife, a generous-hearted girl and a sheriff who takes justice into his own hands.
A widowed and bankrupt farmer is being harassed by crooked creditors. Cornered, he steals a large sum of money from them to offer his daughter a future he cannot guarantee anymore. Knowing all too well the mob will not let this pass, the farmer finds refuge in his beliefs and summons the Ankou - Death's henchman in Brittany - to offer his life in exchange for his daughter's protection.
Jim Reed, an outlaw, holds up a stagecoach, but is seen by a horseman, who hastily rides to the sheriff's office and shortly after, the sheriff and posse are in pursuit. Finding the trail of the desperado they follow him through a dense woods on the mountainside before he is aware that he is being pursued. He easily eludes them and comes across a miner's hut.
The cook has been the bane of many a family, but when it comes to stirring up a western ranch and getting the goats of the cowpunchers there is going to be something doing, and the doing of the something is full of interest, to wit: The cook is not satisfactory and the boys strike for a new "chef." They appeal to the boss and he promises them relief, and it is not long in coming from San Antonio in the person of a very swell fussy French guy, whom they look upon as a huge joke.
Lucy Raven's Demolition of a Wall (Album 1) is the second film in her trilogy of "Westerns." In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that–while still dramatic in its natural beauty–has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the US Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. [Overview courtesy of the Whitney Museum of American Art]
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