A young woman named Remington (Ann Howe) arrives out West and soon meets the old man known as Wilbur (Val Harris). Soon after the brief introductions we get Wilbur's stories on romance and women while Remington does a dance.
Henry and Steve, two "bunkies" on the "LL" ranch, are in love with Katie, their employer's daughter. While she likes Steve the best, she feels she cannot accept him because of his craving for gambling. Cash Wilkins, a bully, insults Steve, whereat he receives a good thrashing, and Wilkins, to get even, insults Katie and steals a small revolver that she carries with her. He then sends a note to Katie, that if she wants the gun back to send Henry for it. Henry is afraid of the bully and frightenedly tells Steve that he is afraid he must lose Katie as he can never face Wilkins. Steve looks pityingly at the coward, and taking the note, goes to Wilkin's cabin, and after another thrashing, makes Wilkins write a note of apology to Katie, and a promise to leave the country forever. Steve gives the note and the girl's gun to Henry and tells him to take them to Katie. The girl never suspects and Steve, realizing that "two's company and three's a crowd," packs his clothes and leaves.
Rod Norton is a lawman searching for his father's killer. Norton suspects saloon owner Jim Garson but is lacking evidence. Garson's henchmen, the Rickard brothers, kidnap Norton's sweetheart Dorothy, hoping to lure the sheriff into a trap.
While on the run, Erwan, a young defector, meets Celia, a lost soul who joins him in his getaway. They are both trailed by an old man, Institoris, sent by the system to track them down and seize them, dead or alive.
Jane Carston was to return tomorrow from Ohio, where she had been for the past three years in school, and the ranch was all agog with expectancy and cleanliness. Bob Evans, head cowboy, was most eager and most anxious of the lot. Tomorrow finally became today and Pa had gone to the station in his best linen duster and the buckboard to meet Jane. Finally, in a cloud of dust. Bob discerns them on the brow of the hill. Arriving at the house Jane greets mother with a rousing smack.
Zerzura is a feature-length ethnofiction shot in the Sahara desert. Mixing folktales and documentary, the film follows a young man from Niger who leaves home in search of an enchanted oasis.
A description of the surviving scenes: Two girls are dancing in the inn, one wearing a white dress, the other in black - a bandit arrives - the bandit has an argument with another guest about one of the girls - the fight continues on the rocks - the bandit throws his rival off the cliff - the girl in black mourns the dead man - a cowboy appears on a horse - the girl in black laments the crime to him - the cowboy catches up with the bandit, he disarms him and ties him to a tree - the old man who is to watch over the captive gets drunk and falls asleep - the girl in white, armed with a revolver, frees the bandit, her lover, and they both tie the watchman to the tree instead - the cowboy returns and again fights with the bandit - the girl in white is accidently shot during the ensuing duel - the cowboy leads the handcuffed bandit away.
Olive's ranch needs a helper, and the boys just happen to be passing by. Bluto's convinced he's better, but Popeye wins at all of Olive's tests: riding a bronco and branding. As Popeye wins the job, Bluto starts a stampede and a fire simultaneously. With some spinach help, Popeye gets Bluto out of the way, douses the fire, and saves Olive from the stampede.
Recreates the fifth segment of The Gunslinger. Faithfully respecting the original text, the film focuses on the scene of the gunslinger and the man in black at the time of the tarot card spread, interspersed with dreamlike scenes.
A female sheriff is framed for cattle rustling by the real rustlers. The head of the gang brands her with his initials. After she recovers, she sets out to catch the gang and pay back the man who branded her.
Slaughter’s cattle are rustled, and when the sheriff is powerless to do anything about it, Slaughter is elected sheriff himself. With a band of skilled deputies, he brings law and order to Tombstone, and eventually settles his feud with the cattle rustler.
"I do hate learnin', but oh! you schoolmarm!" is what the boys at the gulch said when Mary came to town; and, from "Big Bill" down to Hop Lee, the Chink, they all took to study, and to courtship. The rivalry is friendly until the new foreman blows in and takes the inside track, then "Big Bill" gets jealous. At the swell (?) reception the foreman cuts Bill out and Bill decides to "lay for him." The foreman soon discharged a greaser who later robs the paymaster and contrives to fix the blame on the foreman.
A series of mysterious murders has rattled a small town-and the detective investigating the crimes, who finds him further wrapped up in the case, until he becomes the leading suspect himself.
This is a story of a wealthy young man, accustomed to the gaieties of café and club life who falls in love with and marries a poor girl, who is infatuated with him. After marriage, however, the young man fails to give up his fast friends and continues to live his gay life. The wife is unhappy and one night when her husband returns home intoxicated, she packs her grip and quits the house. She goes to a railroad station and while waiting for a train, faints. She is taken to the station hospital. The husband awakens and finds his wife gone.
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