After losing eight years to prison, cowboy J. W. Coop is released to return to life as a professional rodeo cowboy in the 60's. Determined to make up for the lost 'prime' years of his career, he doggedly goes forward, and learns that not only has the business of rodeo changed during his incarceration but society as a whole has made dramatic changes as well.
A bank robbery gone wrong leads to a horrific crime and the capture of the most relentless outlaw in Texas...the infamous Johnny Rios. Incarcerated, Rios ups the ante with a daring ultimatum that gives the sleepy town of Wardlaw a rude awakening as their courageous Sheriff prepares for the shoot-out of a lifetime - one that could either put this town on the map or annihilate it all together. The laws they live by are the laws they’ll die by on RETRIBUTION ROAD.
At the end of the Civil War, Jim Slade, a young confederate soldier and conscientious objector, returns to his ranch to find his parents murdered and the ranch practically destroyed. He finds and kills three of the murderers and learns the name of the fourth, a certain Corbett. Finally he discovers Corbett as the leader of a gang that has plans to rob a local bank and is invited to help defend the town from the bandits. Teaming with a preacher, who has an agenda of his own, the two take a stand against Corbett.
Willington's only love, Mariana, is about to get married to René, Willington's cousin. While Willington is trying to get her back, a demobilization process concerning an illegal armed group is underway in the region, and new killings, besides rumors of a thief at large, will endanger Mariana's new family.
A kickboxing cop abandons the violent life after he accidentally kills his opponent during a match. After quitting, he heads for the Arizona desert to live alone and occasionally work tracking drug runners for the area sheriff. One particularly wily Mexican drug lord, Santos, has been a real thorn in tracker Joe Highhawk's side, so when he encounters the beautiful Claudia and her simpleton brother Anthony running for their lives because she, an accountant, embezzled $20 million from Santos, he decides to help them. This actioner follows what happens next. Along the way, they encounter all sorts of danger, and double cross until the exciting final standoff between the kickboxer and the villain.
Ten legendary Western stars are reunited in this action-packed tale of brothers at odds-one a decorated soldier and reluctant hero, the other a gambler who keeps company with card sharks and corrupt women-in a small mining town torn apart by civil war. When they fall for the same woman, the brothers become divided; and one man is left to face a band of ruthless killers on his own. A tribute to the great American Western, Hell to Pay is a gritty and mesmerizing tale of love, honor, duty, treachery and betrayal.
A tough, womanizing high-stakes gambler known only as Tennessee has an uneasy relationship with Duchess, madam of a thinly-disguised bordello, and no other friends at all. But he's saved from murder by a lonesome cowpoke ('My friends call me Cowpoke'), in town to meet his fiancée Goldie on the steamboat. When she arrives, there's a mysterious undercurrent between Goldie and Tennessee, whose newfound friendship with Cowpoke is destined to be severely tried...
It is California in 1852 that only recently being surrendered by Mexico to the United States and admitted into the union. Most of the land-owners of California were the descendants of the Dons who had colonized it a hundred years before and whose title deeds bore the signature and seal of a long-dead Spanish king. But, by a loop-hole in the law, the title-deeds of the Dons could not be recognized, and this opened the door of organized gangs of land-grabbers, such as the one led by Joe Kincaid, to operate with a prime excuse for legitimate plunder and robbery. In most cases the law was unable to cope with the situation. Then Rosita Castro, the daughter of Don Pasqual Castro, masked and disguised as a man, organized a band of vigilantes to fight against the tyranny of the outlaws, aided by an undercover federal agent, Jim Kearney.
The story of John Goodnight continues. Traveling alone in the Wild West, John witnesses a murderous bank robbery carried out by the dangerous masked outlaw Deke Spradling and his gang of bandits.
A cavalry officer is framed for the murder of a fellow officer and cashiered out of the army. After he gets out of prison he vows to find the renegade who framed him and bring him to justice.
The Protagonist, going by her first name, is presented to us in her natural environment: a jungle often sadly devoid of density. But today, she’s had enough! Being the mother, the secretary, the lover, the nanny, the sex interest of the main male character is no longer enough for our dear Protagonist. Put on “mute” after having used up the speaking time allotted to the female* characters of a film, she runs away with her buddy Voice Over, starting out on a new journey. All in good fun.
With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.
A saloon hostess loves Ramerrez, a notorious highwayman. Sheriff Jack Rance, who loves the girl too, instigates a card game that will determine the fate of all three of them. If she wins, the girl's lover will go free; but if she loses…
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
After a rogue band of Pinkerton detectives led by ruthless Charley Siringo bushwhacks reformed outlaw Frank James, he seeks sanctuary on the Ponderosa with the next generation of Cartwrights and his former Civil War compatriots. Will Frank's comrades come to his aid or turn their backs on him? Richard Roundtree also stars in this made-for-TV sequel to the popular Western series.
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