When a master thief is sabotaged during a bank heist and left for dead, he seeks revenge on his former crew one target at a time. Now, with the cops and the mob closing in, he's in the race of his life to reclaim an untold fortune in cryptocurrency from those who double-crossed him.
A young man returning home to attend a wedding hooks up with a drifter who turns out to be a violent bank robber. Before he knows it, the man finds himself involved in the robber's plans.
Introverted Girona student Nacho meets two delinquents from the city's Chinatown and gets caught up in a summer onslaught of burglaries and hold ups that will change his life.
James Mooney orchestrates an audacious art heist against the backdrop of the Vietnam War and the country’s burgeoning women’s liberation movement. As he engages in a daring criminal endeavor, he must navigate a world marked by shifting social and political dynamics.
The explosive follow-up to We Still Kill The Old Way (2014). Regarded as the best in the business, The Archer Gang is an aging criminal outfit who carry out a daring robbery, but are caught mid-heist. They are sentenced to do time in Britain's toughest prison. Once inside, they encounter their old nemesis Slick Vic Farrow (Billy Murray) who is intent on murdering the gang. The old-school criminals need to use all their wits to stage a daring escape, while dodging Slick Vic, and setting in motion a chain of events which leads to an explosive prison riot.
Chow Sing Sing returns, only this time he doesn’t go back to school. Instead, Chow goes undercover as the husband of a wealthy socialite, which doesn’t sit well with his fiancée, who tries to convince Chow to quit working as undercover.
Mordecai Jones, a silver-tongued swindler and self-proclaimed “M.B.S., C.S., D.D.—Master of Back-Stabbing, Cork-Screwing and Double-Dealing,” has made a career out of charming and cheating his way through life. Played with devilish charm by George C. Scott, Jones takes on a new protégé in Curley, a wide-eyed Army deserter eager for direction. Together, they crisscross the backroads of the rural South, pulling off a string of homespun cons while staying one step ahead of a relentless local sheriff. Along the way, Curley falls for Bonnie Lee Packard, a rebellious heiress who joins their misadventures. But as the scams grow riskier, Curley begins to wonder whether a life of flimflam is worth the price. With its colorful characters, offbeat humor, and standout performance by Scott, The Flim-Flam Man is a rollicking Southern caper about cons, conscience, and unlikely camaraderie.
The Widowmaker is a 1990 made for television film starring Annabelle Apsion, Alun Armstrong, David Morrissey and Kenneth Welsh. The film deals with a woman whose husband has been arrested after going on a killing rampage and the reaction of her local community. It was produced In the United Kingdom by Central Independent Television for the ITV Network and aired on 29 December 1990. It received a nomination for Best Single Drama at the 1991 BAFTA Awards.
After having successfully eluded the authorities for years, Hannibal peacefully lives in Italy in disguise as an art scholar. Trouble strikes again when he's discovered leaving a deserving few dead in the process. He returns to America to make contact with now disgraced Agent Clarice Starling, who is suffering the wrath of a malicious FBI rival as well as the media.
Fact-based story about a 1975 cover-up of a shooting by two white members of the Boston Tactical Unit. While on stakeout on a suspected getaway car used in a armed robbery, the two gunned down a black man who entered the car. The two claimed the man had a gun and they shot in self-defense. Police investigation decided it was a rightful shooting. The man's widow knew her husband would not be carrying a weapon and became determined to prove her husband's innocence. She hired a former cop who had become a lawyer to prove her case. Working with his four sons, the lawyer team takes on the police force in what eventually proved to be a landmark legal decision. Written by John Sacksteder
Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.
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