In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
The centerpiece of this DVD is a 90-minute concert by Nick Cave & the Bad Seeds, performing live in Lyon, France, in the summer of 2001 during a European tour in support of the album No More Shall We Part. Its mature and emotive textures dominate this show, which means if you're hoping to see Cave whipping himself into a frenzy while Blixa Bargeld rattles the walls with his guitar, well, you're out of luck. However, this footage proves that, in more subtle form, Cave is still a magnetic and compelling performer and that the Bad Seeds have grown into a singularly gifted ensemble who bring just the right amount of drama and force to Cave's superb songs (with guitarist Mick Harvey and violinist Warren Ellis taking top honors at this performance). Beautifully shot, intelligently edited, and boasting crisp and full-bodied audio, God Is in the House is a fine document of Cave and his collaborators on a good night.
In September 2012, the tiny prairie town of Leith, North Dakota, sees its population of 24 grow by one. As the new resident's behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor.
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.
In a time when America's economy was crumbling and sense of community was in question, one guy left everything behind to see if he could survive solely on the support and goodwill of the 21st century's new town square: Craigslist.
Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.
Explores the world of a boxing gym in Austin, Texas, dwelling on the discipline of training as people from all walks of life aspire to reach their personal best.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
In the aftermath of the deadly "Unite the Right" rally in Charlottesville, Virginia, a civil lawsuit was filed against white nationalist leaders and organizations on behalf of plaintiffs who suffered injuries while peacefully counterprotesting. This documentary chronicles this seminal civil rights trial, exposing a broad network of conspirators and detailing the challenges of holding those leaders and organizations liable for their actions.
Britney Spears: In the Zone is a busy batch of Britney-mania, much of it featuring Spears in crisp dance numbers supplemented by behind-the-scenes glimpses and chatter. The heart of the show is an ABC television special featuring live performances of "Toxic," "Breathe on Me," and "I'm a Slave 4 U." A fun highlight is Spears's hip-hop collaboration with the Ying Yang Twins on "(I Got That) Boom Boom," one of the few numbers in the star's stage repertoire with a little room for spontaneity. Between songs one finds Spears gushing over her grandfather, praising her entourage, describing the emotional toll of being in the public eye, and writing songs.
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