Follows a trail of over 10 museums and 150 artworks amongst the most well-known in the world. It is an artistic foray into Florence taking in everything from the Brancacci Chapel to the Bargello National Museum, from Palazzo Medici, to the narrow city streets and Brunelleschi’s Dome, from Palazzo Vecchio to the Uffizi Gallery and the Accademia Gallery, without neglecting picture postcard places such as the Ponte Vecchio and Piazza della Signoria.
Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as "The Ladies Who Lunch" from Company and "Civilization" from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.
For the first time, you will see dramatic moments of WWII that were captured in 3D with stereographs and then shuttered away in secret archives and attics, until now. This stunning collection of color 3D photos includes Allied reconnaissance photos, a trove of images that documents the rise and fall of the Third Reich, and photos secretly taken by a civilian in occupied France. WWII IN 3D also features an actual 3D motion picture film shot by the Nazis in 1943 and creates a fully immersive, three dimensional portrait of history's largest and bloodiest conflict.
Beef II (released on DVD in August 2004) is a sequel to the 2003 documentary Beef, which continued to document the history of rivalries in hip-hop and rap music. Like its prequel, the film was executive produced by Quincy Jones III (QD3), written by Peter Alton and Peter Spirer (who also directed), and was this time narrated by actor Keith David.
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
In a world where the inexplicable becomes reality, this documentary immerses us in the impactful experiences of people from different countries, unknown to each other but united by a common destiny. Their testimonies, filled with mystery and wonder, converge in an alarming revelation: an event of unimaginable proportions is about to occur and will change the course of humanity forever.
Documentary about the making of the 1939 MGM classic film The Wizard of Oz. Includes interviews of cast and crew members, their families and fans of the film.
A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him on shoots, interviewing models, and discussing his work.
Although the Cold War is behind us, the threat of nuclear disaster remains very real. Director Lucy Walker discusses the invention of the atomic bomb and brings the story into the present day, examining the possibility of nuclear calamity under the categories of "Madness," "Accident" and "Miscalculation." With narration by Gary Oldman, the film includes a hypothetical sequence of a nuclear explosion in New York City's Times Square, timed to coincide with the New Year's Eve countdown.
Ridley Scott's cult film Blade Runner, based on a novel by Philip K. Dick and released in 1982, is one of the most influential science fiction films ever made. Its depiction of Los Angeles in the year 2019 is oppressively prophetic: climate catastrophe, increasing public surveillance, powerful monopolistic corporations, highly evolved artificial intelligence; a fantastic vision of the future world that has become a frightening reality.
The award is not intended to be given posthumously, but Carlin's death occurred between the announcement and the ceremony. Those there to honor Carlin included: Joan Rivers, Jon Stewart, Bill Maher, Lewis Black, Denis Leary, Margaret Cho, Garry Shandling, and Lily Tomlin.
A deep look at the class warfare and the contradictions that African-Americans face within their own community when many of them are ostracized because they are “not black enough.” An analysis of the reasons behind these absurd acts of hatred.
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