An in-depth, award-winning documentary on the life and music of legendary bluesman Robert Johnson. Mixing rare photographs, exclusive interviews, and dramatic re-creations, it presents a compelling portrait of this enigmatic figure.
COLLISION carves a new path in documentary film-making as it pits leading atheist, political journalist and bestselling author Christopher Hitchens against fellow author, satirist and evangelical theologian Douglas Wilson, as they go on the road to exchange blows over the question: "Is Christianity Good for the World?". The two contrarians laugh, confide and argue, in public and in private, as they journey through three cities. And the film captures it all. The result is a magnetic conflict, a character-driven narrative that sparkles cinematically with a perfect match of arresting personalities and intellectual rivalry. COLLISION is directed by prolific independent filmmaker Darren Doane (Van Morrison: Astral Weeks Live at the Hollywood Bowl, The Battle For L.A., Godmoney).
From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.
Producer Lauren Schuler Donner starts this behind-the-scenes piece off by discussing how they initially wanted to tell Wolverine's Japan arc, but how the studio insisted that they give audiences an origins story first. What follows is a short, Hugh Jackman-centric look at the film's production, focusing on the character of Wolverine. The film's stunt coordinator discusses Jackman's commitment to bulking up-drinking a dozen egg whites a day and going on an intense fitness regime-and director Gavin Hood explains Wolverine's degree of self-loathing about his own nature. We also see some of the design work that went into the film, including the sculpting of young Logan's bone claws and the re-invention of the adamantium tank. Jackman comes off personable as always, and it's clear that he really loves this role.
A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?
On April 5, 1968, soul legend James Brown performed a concert in Boston that many say shielded that city from the kinds of devastating riots that ripped other cities apart after the assassination of Martin Luther King, Jr.
Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.
The train carriages in "Miniatur Wunderland" wind their way for kilometers through blooming landscapes and rocky mountain gorges. With the creation of this magical model universe, twin brothers Frederik and Gerrit Braun have fulfilled their childhood dream of building the largest model railroad in the world. Opened in 2001 in Hamburg's Speicherstadt warehouse district, the exhibition now stretches from the Elbphilharmonie concert hall to Antarctica and is one of the biggest crowd pullers in Europe, attracting more than 1.5 million visitors a year. This film now brings this fabulous dream world to the big screen for the first time with elaborate Cinemascope footage as a documentary event.
Learn the terrifying, true story about thirteen months that changed history! In November of 1966 a car full of kids encountered a creature unlike anything they'd ever seen before. In the weeks and months to follow, the monster – now known as The Mothman – was sighted again and again on country roads and around the state of West Virginia.
A look at Hammer’s progression from a back off in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quartermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.
This powerful and thought provoking film chronicles the compelling events in the Pacific Theater of WWII, from the bombing of Pearl Harbor in 1941 to the American occupation of Japan in 1945. It depicts the strength and courage of America's youth, while examining how these men and women dealt with being thrust into this brutal war. The film includes interviews with war veterans, both American and Japanese, from all branches of the military. It features testimony from medics, nurses, dog handlers, as well as Japanese-Americans who were imprisoned at internment camps in the United States. The film also includes a first hand account of the tragic impact of the atomic bomb on Japanese citizens. Among the veterans who appear is Zenji Abe, a Japanese veteran who flew the mission to bomb Pearl Harbor, and retired General Paul Tibbets who flew the mission to bomb Hiroshima.
A forgotten house at the end of the valley. A lone man searching for answers. What begins as an ordinary hike quickly turns into a dark descent into the secrets of a family scarred by tragedy.
In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.
The ninety-minute film combines never-before-seen footage of Springsteen and the E Street Band shot between 1976 and 1978—including home rehearsals and studio sessions — with new interviews with Springsteen, E Street Band members, manager Jon Landau, former-manager Mike Appel, and others closely involved in the making of the record.
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