A contemporary fairy tale about a 14-year-old influencer from Berlin and her biggest fan. But life as a social media star has a shadow side that the adrenaline, fame and free sneakers can’t make up for.
Examines the 40-year evolution of gender inequality and discrimination in the workplace since the 1980 release of the comedy film “9 to 5” starring Jane Fonda, Lily Tomlin, Dolly Parton, and Dabney Coleman.
A woman yearns to find her identity through her character:a supervillain, dancer and mother, in the Mena sector, or what they call "the largest ghetto in Chile", in Puente Alto, Santiago.
Documentary about the musician Mike Oldfield, whose 1973 album Tubular Bells launched the Virgin record label and became the biggest selling instrumental album of all time.
Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
An industrial film which shows the operations inside the Philips Radio plant: In a mêlée of activity, glassblowers make delicate glass bulbs. Machinery assists the bulb manufacture. A virtuoso glassblower begins a more complex tube used in radio broadcasting; it is then turned, fired, and sculpted. Conveyors carry partially completed units. Workers perform their various specific assembly-line tasks. Cases are manufactured and machined, wire harnesses are assembled, loudspeakers are produced. As radios near completion, they are run through a series of tests. Engineers and draughtsmen define future developments. In a closing stop-motion sequence, in a style reminiscent of Norman McLaren, a group of loudspeakers performs a playful dance. The film overall is a poetic depiction of an industrial process.
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.
In 1964, when the New York Mets were regarded as little more than a punch line in major league baseball, the team moved into a brand new ballpark, Shea Stadium, which was to become their home for the next forty-four years. Shea Stadium was closed (in part to create more parking space for a new stadium, Citi Field), and on July 16 and 18, 2008, Billy Joel headlined the final concerts held at the stadium. Filmmaker Paul Crowder and a camera crew were on hand for Joel's shows, and the documentary THE LAST PLAY AT SHEA chronicles his historic two-night stand, as well as exploring Joel's career, his ties to working-class New York, and how his life and career paralleled the growth of suburban Long Island and the beloved ballpark.
A different history of the Cold War: how Estonians under Soviet tyranny began to feel the breeze of freedom when a group of anonymous dreamers successfully used improbable methods to capture the Finnish television signal, a window into Western popular culture, brave but harmless warriors who helped change the fate of an entire nation.
Clue (1985) has become a cult classic film and is loved by multiple generations. Yet there has never been a documentary created to tell the behind the scenes stories...until now.
For more than a half-century, Sesame Street has addressed and explained diversity, equity, and inclusion around the globe by using the universal tools of music, empathy and celebrity. Sesame Street: 50 Years of Sunny Days reflects upon the efforts that have earned the show respect and qualification around the globe. The special also chronicles the creation and introduction of a Black family of Sesame Street Muppets, Wes and Elijah Walker, a father-and-son duo who are at the heart of Sesame Workshop’s new racial justice initiative Coming Together.
Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.
In this hour, MSNBC goes inside the world of Bryon Widner, a former skinhead "pit bull", as he undergoes painful treatments to remove the physical representation of the hate he had exhibited to the world for more than half his life. Erasing Hate is produced by Bill Brummel Productions. MSNBC broadcast a forty-four-minute television version of the film in 2011. A feature-length film version, approximately ninety minutes, is available for theatrical, international broadcast, streaming and educational distribution.
The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.
Two young Mexican attorneys attempt to exonerate a wrongly convicted man by making a documentary. In the process, they expose the contradictions of a judicial system that presumes suspects guilty until proven innocent.
The Last Sacrifice delves into the real-life 1945 witchcraft killing of Charles Walton—the terrifying event that inspired The Wicker Man and birthed the folk horror genre. This unsettling true-crime interrogation probes into the eerie, enigmatic cultural undercurrents that shaped 1970's folk horror genre, leaving an indelible mark on cinema and public psyche. The Last Sacrifice uncovers an unflinching portrayal of Britain's profound identity crisis, both during the tumultuous early 1970s and the resurgence of folk horror today, ominously coinciding with yet another national descent into madness. Its conclusion: The Wicker Man is more fact than fiction.
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