Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.
In this one-hour documentary, superstar Miley Cyrus allows unprecedented access into her extraordinary life as she rises to the challenge of presenting a new and sometimes controversial persona to the public. As a teenage star, Miley amassed millions of passionate international fans who followed her every move. Three years later, she attempts to shed her previous image while embracing music full time. Whether in the studio, at a performance, or on the set of her latest music video, Miley exudes the confidence of a creative young woman in a period of radical self-discovery who still inspires legions of admirers while confronting her critics. Ultimately, the film is an intimate portrait that captures Miley's exuberantand spirited life, her evolving identity, and her exciting transformation into amusic icon.
This unusual documentary-style feature starts with ordinary people discussing their private erotic desires; what sets it apart from other documentaries, which often feature a lot of talk, is that in this experimental film, 10 of the subjects then act out their most intimate fantasies. Carl Gurevich and Ralph Rosenblum (the acclaimed editor of Woody Allen's comedies Annie Hall and Sleeper) co-direct this daring peek into the human sexual psyche.
Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.
For Flynn, a single father and empty nester in the Bronx, beekeeping is a source of calm, wisdom, and healing. Undeterred by his severe allergy to bee stings, he cares for hives across the city—including several inside his daughter Alaura's childhood bedroom. When Flynn receives a life-threatening diagnosis, he reluctantly steps away from the bees under Alaura's care. Battling cancer while fretting about his hives' survival, Flynn prepares his daughter to continue living powerfully—with or without him.
The film follows the people and workers of Xi'an through the whole process of making a bowl of the local special - Biang Biang noodles. The landscapes tell a story of their own, as do the faces of the people.
A joyful, cinematic celebration of this singular musical artist, who remains as vital and relevant today as when he exploded on the scene with his group, Brasil '66. With a rich, multi-layered approach to storytelling, the film digs deep to reveal the forces that shaped his incredible journey.
In 1992, Baltimore native Dan Poole took a tight-knit group of friends, an uncompromising vision, and $400 to put together what many have called the best "fan film" ever made. Dan's motto, "get the shot", lead the way to record mind numbing stunts while using every resource he could muster to develop what is now known as his "Self Help Film School".
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.
From 1971 to 1973, Richard Nixon secretly recorded his private conversations in the White House. This film chronicles the content of those tapes, which include Nixon's conversations on the war in Vietnam, the Pentagon Papers leak, his Supreme Court appointments, and more--while also exposing shocking statements he made about women, people of color, Jews, and the media.
Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".
In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.
Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.
George Lucas's senior project at the University of Southern California in 1966. It was named for the lap time of the Lotus 23 race car that was the subject of the film. It is a nonstory visual tone poem depicting the imagery of a car going at full speed, and featuring the car's engine as the primary sound element. Shot on 16mm color film with a 14 man student crew, it was filmed at Willow Springs Raceway, north of Los Angeles, CA. The Lotus 23 was driven by Pete Brock.
Rob Schneider has come off his sold-out comedy tour where he maneuvers his audience through the culture wars and the struggle to keep sane in a world where words no longer mean what they used to mean.
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