A Suitable Girl follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.
In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide.
The infamous anti-hero Marcelo Nascimento da Rocha is one of the greatest Brazilian con artists ever that has lured several persons with his schemes. The director and writer Mariana Caltabiano proposes to write his biography and to make a documentary about his life, and she is also lured by the swindler that discloses his rise and fall.
On 15 May, 2006, double amputee Mark Inglis reached the summit of Mt Everest. It was a remarkable achievement and Inglis was feted by press and public alike. But only a few days later he was plunged into a storm of controversy when it was learned that he had passed an incapacitated climber, Englishman David Sharp, leaving him to a lonely end high in the Death Zone.
On an overcast morning in 1999, William Gibson, father of cyberpunk and author of the cult-classic novel Neuromancer, stepped into a limousine and set off on a road trip around North America. The limo was rigged with digital cameras, a computer, a television, a stereo, and a cell phone. Generated entirely by this four-wheeled media machine, No Maps for These Territories is both an account of Gibson’s life and work and a commentary on the world outside the car windows. Here, the man who coined the word "cyberspace" offers a unique perspective on Western culture at the edge of the new millennium, and in the throes of convulsive, tech-driven change.
Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.
On a very dark night, in the boiling atmosphere of the recent Iranian uprising, a woman and a man travel through time and remember. Since September 2022, a large part of the Iranian population has been in revolt. Women and men are saying ‘no’. What is the content of this ‘no’? Totalitarian resentment condemns us to forget, but the film’s protagonists try to go back in time through their own memories-footages, and take us through the labyrinths of a society in search of its image. Memory-image is a weapon with which they hope to rescue a revolt, a liberation
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
In the summer of revolt 1968, student Leobardo López Aretche captured the protests in Mexico City, and the state’s brutal response, up close – and like many of his subjects and fellow comrades, would pay a high price for his audacity. Fifty years later, his movie is no longer a secret.
Longtime fans of bluegrass music and those only recently discovering it will appreciate this documentary on the genre, which was born of a combination of African and Celtic sounds and is the base of American country music. This film traces the musical form from its Appalachian roots to the present. The rise, fall, and consistent revival of bluegrass chronicled through oral history and visual record, resulting in a priceless film that even casual fans are sure to enjoy.
A six-night miniseries presenting the history of how the United States was invented, looking at the moments where Americans harnessed technology to advance human progress -- from the rigors of linking the continent by transcontinental railroad to triumphing over vertical space through the construction of steel-structured buildings. The series also is a story of conflict, with Native American peoples, slavery, the Revolutionary War that birthed the nation, the Civil War that divided it, and the great world war that shaped its future.
Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.
May All Your Christmases Be Black is a DVD companion piece to the 2006 remake of "Black Christmas". It was made for people to see after they've watched the movie itself, therefore containing/revealing spoilers as to how certain characters die, as well as the identity of the killer. The piece seeks to gain insight from writer/director, Glen Morgan on the whys and hows of not only re-making a popular cult classic, but how it fits within his own career. Filmed fly on the wall-style, the featurette mainly covers Morgan's struggle, for good or for worse, to make his film commercially popular while still trying to include elements like a theme and tone in what is essentially a slasher horror movie. The theme of "family" permeates throughout the movie, but also behind-the-screen as well.
In 1993, Jason Voorhees went to hell in what is one of the most polarizing instalments in the franchise. The Dark Heart of Jason Voorhees, produced by The Final Friday's director Adam Marcus & Creator Nick Hunt, goes behind the scenes and provides a never-before-seen look at the 9th instalment of one of the most iconic franchises in the horror genre.
Today, the word "Auschwitz" is a synonym for the Holocaust. Thousands of Jews died there every day. With the help of some acted scenes, photos and graphics, the film tells of a day in May 1944. The starting point is a unique document: a photo album created by the SS perpetrators themselves. Almost all of the photos were taken at the end of May 1944, in just a few days. They show the cruel routine, the arrival of the victims, their "selection" on the ramp, the robbery of their property and the transformation of all those who were not immediately killed, into shaved, uniformed slaves. One survivor is Irina Weiss. On a photo she recognizes her little brothers and her mother - waiting unsuspectingly near the crematorium. The SS photographers captured all of this. Their identity is known today: one of them was Bernhard Walter, a "Stabsscharführer" who lived with his wife and three children near the extermination camp.
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