Peggy Sue faints at a high school reunion. When she wakes up she finds herself in her own past, just before she finished school.
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| Production | Barrie M. Osborne | Executive Producer |
| Production | Paul R. Gurian | Producer |
| Camera | Jordan Cronenweth | Director of Photography |
| Directing | Francis Ford Coppola | Director |
| Sound | John Barry | Original Music Composer |
| Editing | Barry Malkin | Editor |
| Production | Francis Ford Coppola | Producer |
| Camera | Bob Gilles | Camera Intern |
| Writing | Jerry Leichtling | Writer |
| Writing | Arlene Sarner | Writer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Costume & Make-Up | Theadora Van Runkle | Costume Designer |
| Art | Dean Tavoularis | Production Design |
| Production | Pennie DuPont | Casting |
| Art | James J. Murakami | Assistant Art Director |
| Camera | Bing Sokolsky | First Assistant Camera |
| Production | Barrie M. Osborne | Unit Production Manager |
| Art | Alex Tavoularis | Art Direction |
| Directing | Doug Claybourne | First Assistant Director |
| Art | Marvin March | Set Decoration |
| Crew | Steve Holladay | Stunts |
| Camera | John Toll | Camera Operator |
| Directing | Mark Radcliffe | Second Assistant Director |
| Sound | Carl Fischer | Boom Operator |
| Sound | Thomas A. Gulino | Sound Editor |
| Camera | Jane O'Neal | Still Photographer |
| Camera | Jeff Cronenweth | Second Assistant Camera |
| Sound | Louis Bertini | Sound Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Crew | Lawrence J. Cavanaugh | Special Effects Coordinator |
| Sound | Richard Bryce Goodman | Production Sound Mixer |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Elisha Birnbaum | Foley Artist |
| Camera | Gregg Guellow | Best Boy Grip |
| Costume & Make-Up | Kathryn Blondell | Key Hair Stylist |
| Editing | Debra Bard | Assistant Editor |
| Camera | Billy Beaird | Dolly Grip |
| Sound | Bitty O'Sullivan-Smith | Sound Editor |
| Editing | Dennis Brookins | Negative Cutter |
| Lighting | Rick Martens | Gaffer |
| Camera | Cary Griffith | Key Grip |
| Sound | Darrell Hanzalik | ADR Editor |
| Sound | George Craig | Music Editor |
| Lighting | Jack Kirk | Best Boy Electric |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Sound | Neil L. Kaufman | Sound Editor |
| Costume & Make-Up | Candida Conery | Hairstylist |
| Costume & Make-Up | John Rizzo | Makeup Artist |
| Sound | Dorian Harris | ADR Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | D. G. Fisher | Boom Operator |
| Art | Douglas T. Madison | Property Master |
| Art | Gary Fettis | Assistant Property Master |
| Production | Sam Mercer | Location Manager |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Crew | James Davis | Transportation Coordinator |
| Directing | Carey Dietrich | Second Second Assistant Director |
| Production | Lisbeth Wynn-Owen | Production Coordinator |
| Art | John J. Rutchland III | Construction Foreman |
| Production | Eileen McGuire | Assistant Accountant |
| Production | Elizabeth Yanoska | Production Accountant |
| Crew | Toni Basil | Choreographer |
| Crew | Kerry Orent | Post Production Supervisor |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Art | Paul Myerberg | Leadman |
| Crew | Daniel R. Suhart | Dialogue Coach |
| Production | George Parra | Production Assistant |
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