It's 2055 and Steevyshady, an obsessive Mimi Madamour stan, tells us of their idol’s mad destiny from the very peak of her career in 2005, all the way down to the pits of hell, a downfall brought about by her love story with punk icon Billie Kohler. Over the course of half a century we follow these drama queens as they top the charts and set sail on the course of mad queer love.
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Directing | Alexis Langlois | Director |
Writing | Alexis Langlois | Screenplay |
Writing | Thomas Colineau | Screenplay |
Directing | Anaïs Couette | First Assistant Director |
Costume & Make-Up | Juan-Carlos Salazar | Makeup Department Head |
Costume & Make-Up | Juan-Carlos Salazar | Makeup Designer |
Directing | Morgane Aubert-Bourdon | Script Supervisor |
Production | Benoît Roland | Producer |
Crew | Laureen-Joyce Centner | Carpenter |
Crew | Léo Pacquelet | Carpenter |
Directing | Angel Adhera | Second Assistant Director |
Crew | Romain Faroux | Carpenter |
Production | Inès Daïen Dasi | Producer |
Sound | Pierre Desprats | Music |
Crew | Mathieu Jourdan | Carpenter |
Crew | Barbara Broucke | Makeup Effects |
Costume & Make-Up | Barbara Broucke | Assistant Makeup Artist |
Sound | Guilhem Domercq | ADR Recordist |
Visual Effects | Bryan Gossuin | Digital Compositor |
Sound | Marie Paulus | Sound Mixer |
Sound | Barbara Juniot | Boom Operator |
Sound | François Aubinet | Sound Editor |
Art | Barbabé d'Hauteville | Production Design |
Sound | Mariette Iung | Sound Assistant |
Lighting | Manon Corone | Gaffer |
Production | Philippe Logie | Associate Producer |
Production | Ben H. Pigeard-Benazera | Production Manager |
Art | Anna Le Mouël | Production Design |
Sound | Vincent Gregorio | Foley Artist |
Production | Karim Cham | Executive Producer |
Sound | Quentin Collette | Dialogue Editor |
Crew | Barbara Hellemans | Stunt Double |
Writing | Carlotta Coco | Screenplay |
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