When a desperate man’s car breaks down in a bizarre desert town while evading vengeful bookies, he becomes entangled in a dangerous love triangle. Caught between a married couple, he’s faced with deadly contracts to kill them both.
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| Directing | Oliver Stone | Director |
| Production | Clayton Townsend | Producer |
| Writing | John Ridley | Screenplay |
| Camera | Robert Richardson | Director of Photography |
| Production | Dan Halsted | Producer |
| Editing | Thomas J. Nordberg | Editor |
| Production | John Ridley | Executive Producer |
| Editing | Hank Corwin | Editor |
| Sound | Ennio Morricone | Original Music Composer |
| Directing | Corey B. Yugler | Script Supervisor |
| Camera | Kelly Uchimura | Camera Loader |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Costume & Make-Up | Ken Diaz | Makeup Designer |
| Sound | David Kneupper | Supervising Sound Editor |
| Sound | Peter J. Lehman | Sound Effects Editor |
| Production | Gary R. Wordham | Production Coordinator |
| Costume & Make-Up | Dino Ganziano | Hairstylist |
| Sound | Gary Alper | Sound Mixer |
| Lighting | Timothy Healy | Assistant Chief Lighting Technician |
| Sound | Brian McPherson | Sound Effects Editor |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Production | David Pomier | Assistant Location Manager |
| Editing | Bob Kaiser | Color Timer |
| Sound | Scott Millan | Sound Re-Recording Mixer |
| Sound | Kevin Cerchiai | Utility Sound |
| Camera | Jerry G. Callaway | "B" Camera Operator |
| Crew | Jeff Couch | Transportation Captain |
| Camera | Gregor Tavenner | First Assistant Camera |
| Camera | Tom Kerwick | Best Boy Grip |
| Art | Michael R. Gannon | Assistant Property Master |
| Crew | Brian Steagall | Transportation Captain |
| Sound | Keith Gardner | Boom Operator |
| Production | Alyssa Weisberg | Casting Associate |
| Lighting | Jonathan Lumley | Chief Lighting Technician |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Sound | Patrick N. Sellers | Dialogue Editor |
| Camera | Zade Rosenthal | Still Photographer |
| Costume & Make-Up | John Blake | Key Makeup Artist |
| Sound | Horace Manzanares | Assistant Sound Editor |
| Production | Anne McCarthy | Casting Associate |
| Art | Bill Darrow | Standby Painter |
| Costume & Make-Up | Cydney Cornell | Hair Designer |
| Editing | Donah Bassett | Negative Cutter |
| Costume & Make-Up | Mark Sanchez | Makeup Artist |
| Costume & Make-Up | Michelle Kurpaska | Costume Supervisor |
| Camera | James Finnerty, Jr. | Key Grip |
| Art | Bill Holmquist | Construction Coordinator |
| Camera | Jerry G. Callaway | Second Unit Director of Photography |
| Sound | Neal J. Anderson | ADR Supervisor |
| Art | William A. Petrotta | Property Master |
| Art | Tommy Samona | Leadman |
| Costume & Make-Up | Melissa Yonkey | Hairstylist |
| Crew | Tierre Turner | Stunt Coordinator |
| Camera | Jeanne Lipsey | Second Assistant Camera |
| Sound | Bill Abbott | Music Editor |
| Sound | Chris Hogan | Sound Effects Editor |
| Sound | Rick Morris | Sound Effects Editor |
| Production | Karen O'Toole | Assistant Production Coordinator |
| Production | Denyse Rossi | Payroll Accountant |
| Crew | Stephanie Finochio | Stunt Double |
| Writing | John Ridley | Novel |
| Production | Clayton Townsend | Unit Production Manager |
| Directing | Seth Cirker | First Assistant Director |
| Production | Jeff Flach | Production Supervisor |
| Art | Merideth Boswell | Set Decoration |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Art | Dan Webster | Art Direction |
| Production | Mary Vernieu | Casting |
| Art | Victor Kempster | Production Design |
| Production | Richard Rutowski | Co-Producer |
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