Barney Greenwald, a skeptical lawyer, reluctantly defends an officer of the navy who took control of the Caine from its captain, Lt. Philip Francis Queeg, while caught in a violent sea storm. As the court-martial proceeds, however, Greenwald increasingly questions if it was truly a mutiny or rather the courageous acts of a group of sailors who could not trust their unstable leader.
Is The Caine Mutiny Court-Martial on Netflix? Yes! The movie The Caine Mutiny Court-Martial is now on Netflix in the countries listed below.
| Costume & Make-Up | Louise Frogley | Costume Design |
| Art | Jessica Anderson | Set Decoration |
| Editing | Darrin Navarro | Editor |
| Art | Kirk M. Petruccelli | Production Design |
| Camera | Michael Grady | Director of Photography |
| Sound | Aaron Luc Levy | Sound |
| Writing | William Friedkin | Teleplay |
| Directing | David Marnell | Second Assistant Director |
| Camera | Leo Ibanez | Grip |
| Camera | Erik Kasson | Grip |
| Directing | Michael Salven | First Assistant Director |
| Sound | Thomas Wolseley | Foley Mixer |
| Camera | Sean McQueen | Grip |
| Production | Jordana Sapiurka | Casting Associate |
| Camera | Will Arnot | Steadicam Operator |
| Camera | Jordan Cramer | Second Assistant "B" Camera |
| Camera | Liam Sinnott | First Assistant "A" Camera |
| Camera | Justin Watson | First Assistant "C" Camera |
| Directing | Katie Bliss | Script Supervisor |
| Camera | Tobin Yelland | Still Photographer |
| Crew | David Gendron | Executive in Charge of Finance |
| Lighting | Sam Griffin | Electrician |
| Crew | Sarah Martinez | Loader |
| Art | Simon Holt | Property Master |
| Production | Ashley Gasper | Production Coordinator |
| Editing | Marc Carlini | Assistant Editor |
| Lighting | James Ginn | Assistant Chief Lighting Technician |
| Visual Effects | Gavin Carlton | Visual Effects |
| Editing | Jeannette Zepeda | Digital Intermediate Producer |
| Editing | Jhoseline Villacorta | Digital Intermediate Producer |
| Camera | Ryan Kunkleman | Digital Imaging Technician |
| Camera | Danny Stephens | Key Grip |
| Art | Eric Fulcher | Art Department Coordinator |
| Crew | Ali Jazayeri | Executive in Charge of Finance |
| Camera | Philip Collins | Best Boy Grip |
| Camera | Tiara Olson | Grip |
| Camera | Will Arnot | "A" Camera Operator |
| Lighting | Len Levine | Chief Lighting Technician |
| Production | Cassidy Hatchette | Production Secretary |
| Production | Rachel Obering | Production Assistant |
| Art | Carissa E. Mitchell | Art Department Assistant |
| Production | Julia Spadafora | Assistant Production Coordinator |
| Editing | Jack Tashdjian | Colorist |
| Art | Jessica Anderson | Set Decoration |
| Production | Annabelle Dunne | Producer |
| Directing | William Friedkin | Director |
| Writing | Herman Wouk | Theatre Play |
| Crew | Guillermo del Toro | Thanks |
| Production | Denise Chamian | Casting |
| Production | Matthew Parker | Producer |
| Production | Michael Salven | Executive Producer |
| Art | Christiana Rubin | Art Direction |
| Costume & Make-Up | Miia Kovero | Hair Department Head |
| Production | Mike Upton | Executive Producer |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
