Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family's country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.
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Directing | Frank Oz | Director |
Sound | Miles Goodman | Original Music Composer |
Camera | Michael Ballhaus | Director of Photography |
Production | Laura Ziskin | Producer |
Editing | Anne V. Coates | Editor |
Writing | Tom Schulman | Screenplay |
Crew | Bobby Burns | Stunt Double |
Crew | Steve Hart | Stunts |
Crew | Ted Barba | Stunts |
Crew | James Kindelon | Stunts |
Crew | Dennis Scott | Stunt Coordinator |
Production | Glenn Daniels | Casting |
Art | Anne Kuljian | Set Decoration |
Art | Leslie Dilley | Production Design |
Art | Jack Blackman | Art Direction |
Costume & Make-Up | Bernie Pollack | Costume Design |
Art | Michael R. Clark | Painter |
Visual Effects | Richard O. Helmer | Special Effects Supervisor |
Sound | John K. Carr | Sound Editor |
Crew | Michael Steve Jones | Stunts |
Writing | Laura Ziskin | Story |
Art | Donald G. Helderle | Construction Foreman |
Sound | John Phillips | Sound Editor |
Sound | Hal Sanders | Sound Editor |
Camera | Stuart Abramson | Key Grip |
Editing | James D.R. Hickox | Assistant Editor |
Crew | Rafe Blasi | Unit Publicist |
Art | Russell Bobbitt | Property Master |
Art | Frank B. Nieves | Construction Foreman |
Art | Ken Scaife | Construction Coordinator |
Art | Roger G. Fortune | Set Designer |
Sound | Pieter Hubbard | Sound Editor |
Sound | Kenneth C. Mantlo | Boom Operator |
Camera | David M. Dunlap | Camera Operator |
Production | Dana Williams | Production Coordinator |
Costume & Make-Up | Matthew W. Mungle | Makeup Artist |
Art | Douglas Fox | Property Master |
Sound | Terry Porter | Sound Re-Recording Mixer |
Sound | Scott Shadden | Assistant Sound Editor |
Camera | Craig Kohtala | Best Boy Grip |
Art | Wayne Shepherd | Leadman |
Sound | Edward Steidele | Foley Artist |
Lighting | James R. Tynes | Chief Lighting Technician |
Production | Bernard Williams | Co-Producer |
Camera | Arthur Blum | Dolly Grip |
Editing | Christopher Cibelli | Assistant Editor |
Camera | Florian Ballhaus | First Assistant Camera |
Production | Sandy Isaac | Post Production Coordinator |
Writing | Alvin Sargent | Story |
Art | Brett C. Smith | Set Dresser |
Sound | David Grannis | Assistant Sound Editor |
Sound | Devon Heffley Curry | ADR Editor |
Directing | Donald J. Lee Jr. | Second Assistant Director |
Sound | Ed White | Sound Mixer |
Directing | Susan Malerstein | Script Supervisor |
Sound | Bill Phillips | Supervising Sound Editor |
Costume & Make-Up | Emanuel Millar | Hairstylist |
Sound | Bruce Bell | Foley Mixer |
Sound | Liz Carlin | Assistant Sound Editor |
Sound | Doc Kane | ADR Mixer |
Sound | Mel Metcalfe | Sound Re-Recording Mixer |
Lighting | Robert W. Meyers | Rigging Gaffer |
Costume & Make-Up | Hugo Peña | Costume Supervisor |
Sound | Nancy Fogarty | Music Editor |
Sound | David J. Hudson | Sound Re-Recording Mixer |
Camera | Barry Wetcher | Still Photographer |
Directing | James W. Skotchdopole | First Assistant Director |
Sound | Catherine Harper | Foley Artist |
Production | Lisa Lynn Kearsley | Production Coordinator |
Production | David C. Anderson | Unit Production Manager |
Camera | Bobby Mancuso | Second Assistant Camera |
Production | Charles Thomas Baxter | Location Manager |
Production | Tandi Slater | Production Accountant |
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