Carrie and Justin Palmer are the perfect couple to everyone around them. Or so it seems. They recently celebrated ten years of marriage and are talking about starting a family. After a wine filled evening, Carrie's girlfriends press her to share who her "hall pass" would be. Carrie admits that she has had a crush on famed rocker, Dante Jones, since she was in college but would never betray Justin if given the opportunity. After a business trip to Vegas and a chance meeting with Dante himself after his concert, her obsession suddenly becomes his. Carrie does everything in her power to keep her secret away from her friends and more importantly, Justin, but Dante's stalking and relentless infatuation becomes all-consuming and far too dangerous to hide.
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Costume & Make-Up | Kris Deskins | Costume Design |
Sound | Chris Cano | Original Music Composer |
Editing | Michael Kuge | Editor |
Sound | Dave Moorman | Sound Re-Recording Mixer |
Camera | Emmeline Shafer | Key Grip |
Sound | Chris Ridenhour | Original Music Composer |
Directing | Marla Sokoloff | Director |
Art | Dave Rose | Set Dresser |
Crew | Sean Christopher | Stunt Coordinator |
Editing | Mark Noad | Online Editor |
Production | Nima Azadi | Production Supervisor |
Camera | Alexander Yellen | Director of Photography |
Art | Taylor Venegas | Set Dresser |
Sound | David Michael Erwin | Sound Designer |
Visual Effects | Joseph J. Lawson | Visual Effects |
Sound | Marc Ferrari | Music Supervisor |
Writing | Jeffrey Schenck | Story |
Production | Gene George | Co-Executive Producer |
Costume & Make-Up | Jacqueline Holden | Key Makeup Artist |
Production | Brian Nolan | Producer |
Writing | Peter Sullivan | Writer |
Production | Donald Paul Pemrick | Casting Director |
Costume & Make-Up | Michael Spezzano | Makeup Department Head |
Production | Dean E. Fronk | Casting Director |
Production | Peter Sullivan | Co-Producer |
Writing | Peter Sullivan | Story |
Crew | Brandon Amano | Stunt Double |
Production | Barry Barnholtz | Executive Producer |
Production | Christopher Ray | Line Producer |
Production | Dakotah Hitt | Unit Production Manager |
Production | Jeffrey Schenck | Executive Producer |
Costume & Make-Up | Emily Mefford | Key Makeup Artist |
Art | Joe Cox | Production Design |
Production | Zelma Kiwi | Executive Producer |
Production | Brian Nolan | Co-Producer |
Directing | Nathan Gallie | Second Second Assistant Director |
Camera | Oliver Pipkin | First Assistant "A" Camera |
Directing | Xavier S. Puslowski | First Assistant Director |
Directing | Marquis Willis | Second Assistant Director |
Lighting | Michael Stark | Gaffer |
Crew | Dianna Rochelle Johnson | Set Medic |
Sound | Mark McBryde | Foley Artist |
Camera | Ryan Wilson | "B" Camera Operator |
Sound | Alexander Hutchinson | Production Sound Mixer |
Costume & Make-Up | Matthew Brandon | Key Makeup Artist |
Production | Josh Best | Production Coordinator |
Editing | Allen Kelly | Colorist |
Camera | Tommy Crockett | Digital Imaging Technician |
Directing | Cassidy Warren | Script Supervisor |
Camera | Kasee Shambora | Still Photographer |
Costume & Make-Up | Rachelle Moser | Key Costumer |
Camera | Sebastian DeLorey | First Assistant "B" Camera |
Sound | Jeff Noller | Dialogue Editor |
Crew | Morris Aroesti | Transportation Coordinator |
Production | Virginija Lewis | Accountant |
Art | William French | Art Direction |
Production | Christopher Ray | Associate Producer |
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