A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.
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Camera | Stephen Goldblatt | Director of Photography |
Directing | Barbra Streisand | Director |
Sound | James Newton Howard | Original Music Composer |
Production | Cis Corman | Executive Producer |
Editing | Don Zimmerman | Editor |
Production | James T. Roe III | Executive Producer |
Production | Barbra Streisand | Producer |
Writing | Pat Conroy | Novel |
Writing | Becky Johnston | Screenplay |
Writing | Pat Conroy | Screenplay |
Production | Andrew S. Karsch | Producer |
Costume & Make-Up | Isabel Harkins | Makeup Artist |
Production | Bonnie Finnegan | Casting |
Art | Caryl Heller | Set Decoration |
Costume & Make-Up | Ruth Morley | Costume Design |
Costume & Make-Up | Kaye Pownall | Hairstylist |
Costume & Make-Up | Lynn Rodgers | Makeup Artist |
Production | Sheldon Schrager | Co-Producer |
Art | W. Steven Graham | Art Direction |
Art | Paul Sylbert | Production Design |
Costume & Make-Up | Colleen Callaghan | Key Hair Stylist |
Costume & Make-Up | Manlio Rocchetti | Key Makeup Artist |
Art | Arthur Howe Jr. | Set Decoration |
Art | Leslie A. Pope | Set Decoration |
Lighting | Ray Quinlan | Chief Lighting Technician |
Directing | Thomas A. Reilly | First Assistant Director |
Production | Timothy M. Bourne | Unit Production Manager |
Directing | Debra Kent | Second Assistant Director |
Camera | Tom O'Halloran | Second Assistant Camera |
Production | Sheldon Schrager | Unit Production Manager |
Directing | Kay Chapin | Script Supervisor |
Camera | Robert Ward | Key Grip |
Camera | Larry Huston | First Assistant Camera |
Camera | Ted Churchill | Steadicam Operator |
Directing | Robert Huberman | Second Assistant Director |
Camera | Ray De La Motte | Camera Operator |
Costume & Make-Up | Shirlee Strahm | Costumer |
Crew | Frank Ferrara | Stunt Coordinator |
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