Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad's wife and their baby.
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Sound | Christopher Young | Original Music Composer |
Directing | George A. Romero | Director |
Production | Declan Baldwin | Producer |
Writing | George A. Romero | Screenplay |
Editing | Pasquale Buba | Editor |
Production | Terry Liebling | Casting |
Costume & Make-Up | Barbara Anderson | Costume Design |
Camera | Tony Pierce-Roberts | Director of Photography |
Crew | Christopher P. Martin | Animatronic and Prosthetic Effects |
Costume & Make-Up | Jeffrey A. Rubis | Makeup & Hair Assistant |
Art | Gregory Jones | Lead Set Dresser |
Art | Pete von Sholly | Storyboard Artist |
Crew | Brent Peelor | Carpenter |
Art | Ralph Roger Pivirotto | Set Dresser |
Sound | Bill J. DiDonna | Boom Operator |
Crew | Aaron Skalka | Carpenter |
Sound | Gaston Biraben | Sound Editor |
Art | Megan Graham | Set Dresser |
Art | Smith Harper Hutchings | Set Dresser |
Costume & Make-Up | Louis Kiss | Special Effects Makeup Artist |
Art | Jane Hyland | Set Dresser |
Sound | Gregg Barbanell | Foley Artist |
Sound | Elliott Koretz | Sound Editor |
Art | Maurin L. Scarlata | Set Dresser |
Crew | Robert Buncher | Carpenter |
Art | Mia Boccella | Set Dresser |
Art | Barbara E. Thompson | Set Dresser |
Sound | Joan Rowe | Foley Artist |
Art | Beth A. Rubino | Set Dresser |
Costume & Make-Up | Larry Odien | Special Effects Makeup Artist |
Crew | Chris Ferrence | Carpenter |
Art | Sonja Roth | Set Dresser |
Art | Marty Garrigan | Assistant Property Master |
Crew | Kenneth J. Kellers | Carpenter |
Art | Daniel Fisher | Set Dresser |
Lighting | Chris Lugar | Electrician |
Costume & Make-Up | Melinda Eshelman | Wardrobe Assistant |
Production | Bob Pomeroy | Production Assistant |
Production | Ann Ruark | Production Coordinator |
Camera | Bart Flaherty | Grip |
Camera | John S. Moyer | Grip |
Editing | Ray Boniker | First Assistant Editor |
Camera | Scott Hillman | Best Boy Grip |
Lighting | Frank McGough | Lighting Technician |
Production | Barbara Harris | ADR Voice Casting |
Production | Donna M. Belajac | Casting |
Camera | Joey Wrubleski | Grip |
Production | Linda Carola | Production Assistant |
Production | Mary Ann Marino | Production Coordinator |
Camera | Michael Spiller | Second Unit Director of Photography |
Directing | Tom Dubensky | Second Unit Director |
Sound | John Sutton | Sound Mixer |
Editing | Gary Burritt | Negative Cutter |
Crew | Tom Culnan | Animatronic and Prosthetic Effects |
Camera | John Janusek | Key Grip |
Camera | Richard M. Sieg | Dolly Grip |
Lighting | John Alan Roush | Electrician |
Production | Nancy Mosser | Extras Casting |
Crew | Ken Walker | Animatronic and Prosthetic Effects |
Crew | Nikolay Galitzine | Special Effects Technician |
Camera | Luke Latino | First Assistant Camera |
Directing | Nicholas Mastandrea | First Assistant Director |
Visual Effects | Carl Horner | Special Effects Supervisor |
Production | Declan Baldwin | Unit Production Manager |
Sound | Mark Rathaus | Sound Editor |
Crew | Richard S. Crumrine Jr. | Loader |
Directing | Drew Ann Rosenberg | Second Assistant Director |
Camera | Carol A. Ogihara | Second Assistant Camera |
Costume & Make-Up | Nancy A. Palmatier | Wardrobe Supervisor |
Editing | Keith Parrish | Color Timer |
Production | Fred 'Fredo' Donatelli | Production Assistant |
Production | Dawn Murphy Riley | Production Assistant |
Art | Neal Thompson | Main Title Designer |
Crew | Mark Harden | Animal Coordinator |
Production | Richard Hawley | Consulting Producer |
Crew | Jon Sharpe | Projection |
Production | Lisa Kruczek | Assistant Accountant |
Production | Michele Fetting | Production Assistant |
Production | Steve Parys | Production Assistant |
Production | Christine Forrest | Associate Producer |
Writing | Stephen King | Novel |
Crew | Everett Burrell | Makeup Effects |
Crew | John Vulich | Makeup Effects |
Art | Cletus Anderson | Production Design |
Visual Effects | Peter Kuran | Visual Effects Producer |
Production | Janice F. Sperling | Production Supervisor |
Directing | James Ellis Deakins | Script Supervisor |
Crew | Kristina M. Horner | Special Effects Coordinator |
Sound | Jim Bryan | Sound Effects Editor |
Visual Effects | Kevin Kutchaver | Visual Effects Supervisor |
Camera | Kyle Rudolph | Steadicam Operator |
Costume & Make-Up | Jeannee Josefczyk | Makeup Artist |
Lighting | Marc Rogers | Gaffer |
Art | Louis P. Taylor | Construction Coordinator |
Crew | Phil Neilson | Stunt Coordinator |
Crew | Marc Scott | Transportation Coordinator |
Crew | Mary O'Brien | Scenic Artist |
Art | Brian J. Stonestreet | Set Decoration |
Costume & Make-Up | Carol Paulick | Makeup Artist |
Art | David Eckert | Set Designer |
Sound | John LaSalandra | Music Editor |
Crew | Vincent Borrelli | Scenic Artist |
Sound | Eric Lindemann | Supervising Sound Editor |
Crew | Mitch Kreindel | Unit Publicist |
Crew | Paul Bucciarelli | Scenic Artist |
Crew | Thomas J. Garrigan | Scenic Artist |
Sound | Carlos Delarios | Sound Re-Recording Mixer |
Camera | Michael Spiller | Additional Camera |
Sound | Michael Hilkene | Supervising Sound Editor |
Sound | Bill W. Benton | Sound Re-Recording Mixer |
Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
Camera | Michael Levine | Camera Operator |
Art | James C. Feng | Art Direction |
Art | Andrew Sands | Art Department Coordinator |
Camera | Jeffery J. Tufano | Camera Operator |
Camera | Lynne Warberg | Still Photographer |
Production | George A. Romero | Executive Producer |
Crew | Cynthia Neilson | Stunts |
Lighting | Ethan Phillips | Electrician |
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