The Hollywood version of the popular video game series "Wing Commander". Unlike other video games to feature film transitions, series creator Chris Roberts was heavily involved in the film's creation. This is the story of Christopher Blair and Todd "Maniac" Marshall as they arrive at the Tiger Claw and are soon forced to stop a Kilrathi fleet heading towards Earth.
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| Production | Donna Burkons | Producer |
| Sound | David Arnold | Original Music Composer |
| Production | Joseph Newton Cohen | Producer |
| Sound | Kevin Kiner | Original Music Composer |
| Directing | Christopher Roberts | Director |
| Camera | Thierry Arbogast | Director of Photography |
| Writing | Christopher Roberts | Screenplay |
| Art | Ken Court | Art Direction |
| Art | James Hambidge | Art Direction |
| Art | Alan Tomkins | Art Direction |
| Art | Michael Ford | Set Decoration |
| Editing | Peter Davies | Editor |
| Art | Simon Lamont | Art Direction |
| Production | Suzanne Smith Crowley | Casting |
| Costume & Make-Up | Magali Guidasci | Costume Design |
| Art | Peter Lamont | Production Design |
| Art | Mark Harris | Art Direction |
| Art | Richard Roberts | Set Decoration |
| Production | Gilly Poole | Casting |
| Art | Simon Bowles | Art Direction |
| Editing | Guy Williams | Digital Intermediate |
| Art | Charles Dwight Lee | Supervising Art Director |
| Camera | Etienne Braun | Still Photographer |
| Crew | Michael McNeill | Sequence Supervisor |
| Visual Effects | Seth Lippman | Visual Effects Technical Director |
| Sound | Richard Pryke | Sound Re-Recording Mixer |
| Sound | Gerard McCann | ADR Editor |
| Sound | Miriam Ludbrook | Foley Editor |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Costume & Make-Up | Vivian Nowak | Hairstylist |
| Sound | Barklie K. Griggs | Music Supervisor |
| Visual Effects | David Taritero | Visual Effects Producer |
| Production | Meinir Stoutt | Production Manager |
| Art | Katrina Duce | Art Department Coordinator |
| Costume & Make-Up | Nicole Young | Assistant Costume Designer |
| Lighting | Eric Wobma | Best Boy Electric |
| Sound | Peter Baldock | Supervising Sound Editor |
| Lighting | Claude Hirsch | Gaffer |
| Editing | Wayne Smith | First Assistant Editor |
| Sound | Graham V. Hartstone | Sound Re-Recording Mixer |
| Sound | Gillian Dodders | Supervising Dialogue Editor |
| Visual Effects | Kevin Andrew Smith | Visual Effects Technical Director |
| Sound | John Hayward | Sound Re-Recording Mixer |
| Directing | Sue Field | Script Supervisor |
| Visual Effects | Erik Strauss | Visual Effects Producer |
| Visual Effects | Thomas Dadras | Visual Effects Supervisor |
| Camera | Roger Simonsz | Camera Operator |
| Crew | Mark Lambert | CG Supervisor |
| Crew | Jennifer Wollan | Visual Effects Editor |
| Costume & Make-Up | Stephen Rose | Hairstylist |
| Art | Peter Williams | Construction Coordinator |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Crew | Henry Eshelman | Unit Publicist |
| Crew | Chris Olivia | Sequence Supervisor |
| Visual Effects | Chris Brown | Visual Effects Supervisor |
| Visual Effects | Dane Picard | Visual Effects Technical Director |
| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Art | Barry Wilkinson | Property Master |
| Camera | Tom Ryan | First Assistant Camera |
| Visual Effects | Scott Peterson | Visual Effects Technical Director |
| Visual Effects | Harry Wiesenhaan | Special Effects Supervisor |
| Crew | Nik Williams | Animatronics Supervisor |
| Costume & Make-Up | Tiny Nicholls | Wardrobe Supervisor |
| Sound | Mark Heslop | Sound Editor |
| Sound | Tom Sayers | Foley Editor |
| Crew | Graham Johnston | Video Assist Operator |
| Camera | Jean-François Roqueplo | Key Grip |
| Sound | Dina Eaton | Music Editor |
| Visual Effects | David Altenau | Visual Effects Supervisor |
| Crew | Edward Wiesenhaan | Special Effects Coordinator |
| Sound | Gillian Dodders | Supervising ADR Editor |
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