April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.
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Writing | Manuel Huete | Story |
Writing | Rafael Azcona | Writer |
Writing | Fernando Trueba | Writer |
Directing | Fernando Trueba | Director |
Production | Andrés Vicente Gómez | Producer |
Art | Luis Argüello | Art Direction |
Costume & Make-Up | Juan Pedro Hernández | Makeup Artist |
Art | Josep Rosell i Palau | Production Design |
Production | Esther García | Assistant Production Manager |
Sound | Francisco Guerrero | Music |
Costume & Make-Up | Luis Argüello | Costume Design |
Costume & Make-Up | Jorge Hernández Lobo | Assistant Makeup Artist |
Camera | Juan Amorós | Director of Photography |
Art | Ramón Moya | Settings |
Costume & Make-Up | Teresa Matías | Hairstylist |
Production | Juan Botella | Assistant Production Manager |
Editing | Carmen Frías | Editor |
Production | Cristina Huete | Production Manager |
Production | Jaime Botella | Assistant Production Manager |
Lighting | Rafael García Martos | Gaffer |
Sound | Jean-Claude Laureux | Sound |
Costume & Make-Up | Lala Huete | Assistant Costume Designer |
Sound | Ángel Muñoz Alonso | Music Consultant |
Directing | Carmen Martínez Rebé | Second Assistant Director |
Editing | Pablo Blanco | Assistant Editor |
Camera | Alfredo Díaz | Key Grip |
Art | Agustín Alcázar | Props |
Editing | Benjamín Garrido | Assistant Editor |
Production | Alfonso Jadraque | Location Manager |
Sound | Luis Castro | Sound Effects |
Sound | Antonio «Mármol» Rodríguez | Sound Recordist |
Crew | Fernando Fernández | Generator Operator |
Costume & Make-Up | Peris | Wardrobe Master |
Sound | Alfonso Pino | Sound Mixer |
Lighting | Rafael Castro | Electrician |
Camera | Ángel Gómez Martín | Grip |
Directing | Eusebio Graciani | Assistant Director |
Crew | Juan Sánchez | Special Effects |
Camera | Enrique Arias | Second Assistant Camera |
Camera | Juan Amorós | Camera Operator |
Camera | Joaquín Manchado | Assistant Camera |
Costume & Make-Up | María Teresa García Trueba | Wardrobe Master |
Directing | Marisa Ibarra | Script Supervisor |
Art | Luciano Romero | Assistant Property Master |
Art | Juan de la Flor | Property Master |
Sound | Gilles Ortion | Boom Operator |
Lighting | Francisco Durán | Electrician |
Crew | Ángel Megino | Transportation Coordinator |
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