Eager to find his brother's murderer, Clinton enlists the aid of Nadine, an expensive call girl. Together they get sucked into a plot to smuggle guns to the Contra forces in Nicaragua.
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Writing | Robert Foster | Writer |
Directing | Jerry Schatzberg | Director |
Production | Tink Ten Eyck | Production Supervisor |
Production | Stephen J. Fisher | Production Manager |
Camera | Ed Knott Jr. | Key Grip |
Camera | Isidore Mankofsky | Director of Photography |
Camera | Richard J. Edesa | Camera Operator |
Costume & Make-Up | Vivian Cocheo | Costumer |
Production | Brad R. Loman | Associate Producer |
Production | Sherry Thorup | Location Manager |
Camera | Edward Knott III | Dolly Grip |
Production | Paula Herold | Casting |
Editing | David Ray | Editor |
Sound | Jan Hammer | Original Music Composer |
Directing | Skip Surguine | Second Assistant Director |
Camera | Bill McConnell Sr. | First Assistant Camera |
Art | Howard Barker | Production Design |
Lighting | Rusty Pouch | Best Boy Electric |
Directing | Sonny P. Filippini | Script Supervisor |
Camera | Casey Osborne | Best Boy Grip |
Production | Donald March | Producer |
Directing | Jerram A. Swartz | First Assistant Director |
Directing | P.R. Tooke | Script Supervisor |
Production | Tom Leetch | Production Manager |
Lighting | Pierre Roseman | Gaffer |
Camera | Warner R. Wacha | Second Assistant Camera |
Art | Caryn Wolf | Assistant Art Director |
Costume & Make-Up | Brad R. Loman | Costume Design |
Sound | Michael R. Tromer | Sound Mixer |
Production | Ellen Jacoby | Extras Casting |
Sound | Jack Dalton | Boom Operator |
Production | Dennis A. Brown | Executive In Charge Of Production |
Art | Frederic C. Weiler | Set Decoration |
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