When Manny Singer's wife dies, his young daughter Molly becomes mute and withdrawn. To help cope with looking after Molly, he hires sassy housekeeper Corrina Washington, who coaxes Molly out of her shell and shows father and daughter a whole new way of life. Manny and Corrina's friendship delights Molly and enrages the other townspeople.
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| Production | Paula Mazur | Producer |
| Camera | Bruce Surtees | Director of Photography |
| Production | Steve Tisch | Producer |
| Sound | Rick Cox | Original Music Composer |
| Editing | Lee Percy | Editor |
| Writing | Jessie Nelson | Screenplay |
| Production | Bernie Goldmann | Executive Producer |
| Directing | Jessie Nelson | Director |
| Production | Jessie Nelson | Producer |
| Production | Ruth Vitale | Executive Producer |
| Crew | Kym Washington Longino | Stunts |
| Production | Barbara Cohen | Casting |
| Production | Mary Gail Artz | Casting |
| Production | Joe Fineman | Associate Producer |
| Production | Eric McLeod | Unit Production Manager |
| Crew | Ben Scott | Stunts |
| Directing | Phillip Christon | First Assistant Director |
| Art | Michael D'Imperio | Assistant Property Master |
| Directing | Benita Brazier | Script Supervisor |
| Production | Barbara Harris | ADR Voice Casting |
| Camera | Geary McLeod | Camera Operator |
| Sound | Randall L. Johnson | Boom Operator |
| Costume & Make-Up | Julia L. Walker | Hairstylist |
| Production | Eric McLeod | Line Producer |
| Production | Gwen Everman | Production Accountant |
| Crew | Billy G. Arter | Transportation Coordinator |
| Art | Jeannine Oppewall | Production Design |
| Lighting | Steve Reinhardt | Best Boy Electric |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Artist |
| Art | Lars Petersen | Construction Coordinator |
| Art | Barbara Benz | Property Master |
| Art | Louisa Bonnie | Set Designer |
| Art | John Maskovich | Leadman |
| Sound | David Kelson | Production Sound Mixer |
| Editing | Lynzee Klingman | Additional Editor |
| Directing | David Minkowski | Second Assistant Director |
| Directing | Peggy Hughes | Second Second Assistant Director |
| Lighting | Alan Brownstein | Gaffer |
| Camera | Charles Saldaña | Key Grip |
| Costume & Make-Up | Michael Pachal | Hairstylist |
| Camera | Suzanne Hanover | Still Photographer |
| Sound | Steve Richardson | Supervising Sound Editor |
| Art | Steven C. Voll | Construction Foreman |
| Camera | Heather Page | First Assistant Camera |
| Costume & Make-Up | Michael Germain | Key Makeup Artist |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Art | Dina Lipton | Art Direction |
| Art | Lauren Gabor | Set Decoration |
| Editing | Mato | Color Timer |
| Sound | Bonnie Greenberg | Music Supervisor |
| Costume & Make-Up | Francine Jamison-Tanchuck | Costume Design |
| Costume & Make-Up | Candy L. Walken | Key Hair Stylist |
| Sound | Matthew Iadarola | Sound Re-Recording Mixer |
| Sound | Gary Gegan | Sound Re-Recording Mixer |
| Sound | David Jobe | Foley Mixer |
| Sound | Greg Steele | ADR Recordist |
| Sound | Jeff Watts | ADR Editor |
| Sound | Catherine Calleson | Assistant Sound Editor |
| Sound | Will Kaplan | Music Editor |
| Sound | Lewis Goldstein | Dialogue Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | James Matheny | Dialogue Editor |
| Sound | Mary Ruth Smith | ADR Editor |
| Sound | Tony Cappelli | Assistant Sound Editor |
| Sound | Darrell Hanzalik | ADR Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Don Givens | Foley Recordist |
| Sound | Kimberly Lambert | Dialogue Editor |
| Sound | Jim Brookshire | Dialogue Editor |
| Sound | Zane D. Bruce | Foley Artist |
| Sound | Joel Valentine | Supervising Sound Effects Editor |
| Sound | Paul Silver | Assistant Sound Editor |
| Sound | Thomas Newman | Music |
| Art | Mike Malone | Set Dresser |
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