Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
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| Camera | Dean Cundey | Director of Photography |
| Production | Judy Taylor | Casting |
| Sound | Alan Silvestri | Original Music Composer |
| Production | Neil Canton | Producer |
| Production | Jane Feinberg | Casting |
| Directing | Robert Zemeckis | Director |
| Production | Mike Fenton | Casting |
| Production | Bob Gale | Producer |
| Editing | Harry Keramidas | Editor |
| Editing | Arthur Schmidt | Editor |
| Art | Lawrence G. Paull | Production Design |
| Crew | Robert Schmelzer | Stunts |
| Crew | Spiro Razatos | Stunts |
| Crew | Bob Yerkes | Stunts |
| Crew | Per Welinder | Stunts |
| Crew | Bernie Pock | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
| Crew | Max Kleven | Stunts |
| Crew | Richard E. Butler | Stunts |
| Crew | John-Clay Scott | Stunts |
| Crew | Loren Janes | Stunts |
| Writing | Robert Zemeckis | Writer |
| Production | Kathleen Kennedy | Executive Producer |
| Production | Frank Marshall | Executive Producer |
| Writing | Bob Gale | Writer |
| Art | Hal Gausman | Set Decoration |
| Production | Steven Spielberg | Executive Producer |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Costume & Make-Up | Deborah L. Scott | Costume Design |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Art | Todd Hallowell | Art Direction |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Sound | Bones Howe | Music Supervisor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Camera | Raymond Stella | Camera Operator |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Sound | John A. Larsen | Sound Editor |
| Costume & Make-Up | Julie Starr Dresner | Set Costumer |
| Production | Dennis E. Jones | Unit Production Manager |
| Costume & Make-Up | Robert Iannaccone | Costume Supervisor |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Production | Jack Grossberg | Unit Production Manager |
| Crew | Walter Scott | Stunt Coordinator |
| Crew | Arthur F. Repola | Post Production Supervisor |
| Art | Drew Struzan | Other |
| Sound | Huey Lewis | Songs |
| Sound | Alan L. Nineberg | ADR Editor |
| Directing | Pamela M. Eilerson | Second Assistant Director |
| Art | Tim Stadler | Painter |
| Camera | Ronald Woodward | Key Grip |
| Crew | John Feinblatt | Transportation Coordinator |
| Sound | John Roesch | Foley |
| Art | John Zemansky | Property Master |
| Lighting | Albert Hood | Electrician |
| Visual Effects | Ellen Lichtwardt Goodchild | Visual Effects |
| Sound | Earl Sampson | Boom Operator |
| Crew | Brad Jeffries | Choreographer |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Directing | David McGiffert | First Assistant Director |
| Crew | Marsha Robertson | Unit Publicist |
| Production | Paul Pav | Location Manager |
| Sound | Lawrence Jordan | Assistant Sound Editor |
| Sound | Kenneth Karman | Music Editor |
| Production | Laurie Vermont | Production Coordinator |
| Sound | William B. Kaplan | Production Sound Mixer |
| Camera | Dic Alexander | Grip |
| Sound | Takeo Ogawa | Sound Designer |
| Visual Effects | Kevin Pike | Special Effects Supervisor |
| Art | Ernest Depew | Construction Coordinator |
| Crew | Ramon Pahoyo | Craft Service |
| Crew | Bonne Radford | Production Controller |
| Sound | James B. Campbell | Orchestrator |
| Art | Dick Lasley | Production Illustrator |
| Art | Cameron Birnie | Set Designer |
| Crew | Al Gaynor | Scenic Artist |
| Editing | Terry Hager | Color Timer |
| Crew | Gregory Dultz | Driver |
| Production | Leanne Moore | Production Accountant |
| Sound | Sonny Pettijohn | Apprentice Sound Editor |
| Editing | Donah Bassett | Negative Cutter |
| Directing | Frank Marshall | Second Unit Director |
| Camera | Ray Gilberti | Assistant Camera |
| Camera | Dan Cooper | Best Boy Grip |
| Production | Robert R. Draney | Assistant Accountant |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Sound | Darcy Vebber | Utility Sound |
| Editing | Michael Moore | Assistant Editor |
| Sound | Alan Silvestri | Conductor |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Art | Nina Saxon | Title Designer |
| Crew | Eric Stoltz | Stunt Driver |
| Camera | Richard Babin | Dolly Grip |
| Sound | Greg Orloff | Foley Mixer |
| Production | Rob Stevens | Assistant Production Coordinator |
| Visual Effects | Donna K. Baker | Rotoscoping Artist |
| Costume & Make-Up | Julie Starr Dresner | Key Costumer |
| Sound | Gary A. Hecker | Foley Artist |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Art | Joe Pfaltzgraf | Assistant Property Master |
| Crew | Charles Croughwell | Stunt Double |
| Production | Warren Franklin | General Manager |
| Sound | Larry Singer | Supervising ADR Editor |
| Camera | Steve Tate | Second Assistant Camera |
| Lighting | Thomas Marshall | Assistant Chief Lighting Technician |
| Crew | Steven Spielberg | Presenter |
| Crew | Ted Moehnke | Pyrotechnician |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Crew | Phillip Norwood | Visual Effects Art Director |
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