Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
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Sound | Mikel Rouse | Music |
Art | Lynn Court | Production Design |
Writing | Mikel Rouse | Writer |
Directing | Mikel Rouse | Director |
Costume & Make-Up | Nancy Hanks | Wardrobe Master |
Art | Robert Franks | Production Design |
Costume & Make-Up | Barbara Allen | Costume Designer |
Editing | Mikel Rouse | Editor |
Sound | Ed Warden | Sound Recordist |
Sound | Paul Kands | Supervising Sound Editor |
Production | Marge Angles | Production Manager |
Sound | Rema Williams | Assistant Sound Editor |
Editing | Joe Rause | Assistant Editor |
Costume & Make-Up | Brian McCay | Makeup Artist |
Costume & Make-Up | Warren Ray | Hairstylist |
Directing | Lisa Thorwal | First Assistant Director |
Directing | Anna Thompson | Script Supervisor |
Art | William Bore | Art Direction |
Crew | Mikel Rouse | Mixing Engineer |
Directing | Andy Clay | Second Assistant Director |
Art | George Hattis | Location Scout |
Writing | Mikel Rouse | Screenplay |
Writing | Mikel Rouse | Story |
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