Veronica, recently divorced with a son, begins to organize her life and adapt to the new situation. Her problems are soon relegated to the back ground when Carlos, her masseuse, is murdered. Knowing himself in danger, Carlos left a final message on her answering machine: she had to retrieve a package hidden in a railway station toilet. From that moment, Veronica will not know peace.
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Directing | José Luis García-Berlanga | Director |
Writing | Eduardo Calvo | Story |
Writing | Agustín Díaz Yanes | Story |
Writing | Joan Potau | Story |
Writing | Francisco G. Siurana | Story |
Writing | Lola Salvador | Screenplay |
Sound | Bernardo Bonezzi | Music |
Crew | Josep M. Civit | Cinematography |
Editing | Luis Manuel del Valle | Editor |
Production | Maria José Poblador | Casting |
Art | Gloria Martí | Set Decoration |
Costume & Make-Up | María Gil | Costume Design |
Costume & Make-Up | Jesús Moncusi | Hairstylist |
Costume & Make-Up | Gregorio Ros | Makeup Artist |
Production | Marisol Carnicero | Production Manager |
Directing | Carlos Gil | Assistant Director |
Production | Alfredo Matas | Executive Producer |
Production | Helena Matas | Executive Producer |
Art | Isidro Terraza | Property Master |
Camera | Jordi Soteras | Still Photographer |
Camera | Julián Fernández | Key Grip |
Camera | Marta Sentís | Still Photographer |
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