Veronica, recently divorced with a son, begins to organize her life and adapt to the new situation. Her problems are soon relegated to the back ground when Carlos, her masseuse, is murdered. Knowing himself in danger, Carlos left a final message on her answering machine: she had to retrieve a package hidden in a railway station toilet. From that moment, Veronica will not know peace.
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| Directing | José Luis García-Berlanga | Director |
| Camera | Marta Sentís | Still Photographer |
| Writing | Eduardo Calvo | Story |
| Directing | Carlos Gil | Assistant Director |
| Production | Maria José Poblador | Casting |
| Camera | Jordi Soteras | Still Photographer |
| Editing | Luis Manuel del Valle | Editor |
| Art | Isidro Terraza | Property Master |
| Production | Marisol Carnicero | Production Manager |
| Writing | Francisco G. Siurana | Story |
| Sound | Bernardo Bonezzi | Music |
| Production | Alfredo Matas | Executive Producer |
| Camera | Julián Fernández | Key Grip |
| Costume & Make-Up | Jesús Moncusi | Hairstylist |
| Costume & Make-Up | Gregorio Ros | Makeup Artist |
| Writing | Joan Potau | Story |
| Art | Gloria Martí | Set Decoration |
| Crew | Josep M. Civit | Cinematography |
| Costume & Make-Up | María Gil | Costume Design |
| Writing | Agustín Díaz Yanes | Story |
| Production | Helena Matas | Executive Producer |
| Writing | Lola Salvador | Screenplay |
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