It’s just another ordinary day in 1930s Los Angeles for private investigator Clyde Umney, until a new client walks into his office. Umney soon learns that his client is the crime-fiction writer who not only created him, but now needs to switch places with him.
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Writing | Stephen King | Short Story |
Directing | Rodney Altman | Director |
Writing | Rodney Altman | Writer |
Writing | Emma Heald | Writer |
Production | Jason F. Brown | Producer |
Production | Leo Fialho | Associate Producer |
Crew | Magela Crosignani | Cinematography |
Editing | Rodney Altman | Editor |
Editing | Emma Heald | Editor |
Directing | Tena Golding | Second Second Assistant Director |
Directing | James Madrid | Second Assistant Director |
Directing | Will Schluter | First Assistant Director |
Sound | Brian C. Gregory | Sound Mixer |
Sound | Avyen von Waldenburg | Boom Operator |
Art | Dan Cregan | Title Designer |
Visual Effects | Sean Falcon | Digital Compositor |
Crew | Alex Ferrari | Post Production Supervisor |
Camera | Michael Arisohn | Grip |
Camera | Rebecca Arndt | First Assistant Camera |
Camera | Keith McNicholas | Best Boy Grip |
Camera | Kit Pennebaker | First Assistant Camera |
Editing | Alex Ferrari | Colorist |
Production | George Alvarez | Production Assistant |
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