Two years after the Westworld tragedy in the Delos amusement park, the corporate owners have reopened the park following over $1 billion in safety and other improvements. For publicity purposes, reporters Chuck Browning and Tracy Ballard are invited to review the park. Just prior to arriving at the park, however, Browning is given a clue by a dying man that something is amiss.
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Directing | Richard T. Heffron | Director |
Production | Richard T. Heffron | Producer |
Production | Samuel Z. Arkoff | Producer |
Sound | Fred Karlin | Original Music Composer |
Editing | James Mitchell | Editor |
Production | Samuel Z. Arkoff | Executive Producer |
Crew | Paul Nuckles | Stunt Coordinator |
Crew | Bud Davis | Stunts |
Crew | Gary Davis | Stunts |
Crew | Jack Verbois | Stunts |
Crew | Gary Epper | Stunts |
Production | Elliot Schick | Production Supervisor |
Production | Harry Templeton | Production Executive |
Production | Marty Hornstein | Production Manager |
Directing | Robert J. Koster | First Assistant Director |
Directing | Jan R. Lloyd | Second Assistant Director |
Costume & Make-Up | James M. George | Costume Supervisor |
Costume & Make-Up | Llandys Williams | Wardrobe Assistant |
Directing | Marshall J. Wolins | Script Supervisor |
Camera | Robert C. Jessup | Second Unit Director of Photography |
Camera | Lloyd Ahern II | Camera Operator |
Camera | Jack Willoughby | Camera Operator |
Camera | Richard J. Edesa | First Assistant Camera |
Camera | Lynn Lockwood | Second Assistant Camera |
Camera | Steve Wever | Still Photographer |
Art | Eric W. Orbom | Set Designer |
Art | Russell Goble | Property Master |
Art | Mike Garcia | Leadman |
Art | Kenneth Crawford | Assistant Property Master |
Sound | Charles T. Knight | Sound Mixer |
Sound | Clint Althouse | Boom Operator |
Lighting | Bill Lindner | Best Boy Electric |
Lighting | Lon Massey | Gaffer |
Lighting | Richard McConihay | Electrician |
Camera | John L. Black | Key Grip |
Camera | Pete G. Papanickolas | Best Boy Grip |
Camera | Jack Johnson | Best Boy Grip |
Camera | Peter J. Breen | Dolly Grip |
Art | George Stokes | Construction Coordinator |
Art | Reggie Foster | Construction Coordinator |
Crew | Paul Casella Jr. | Transportation Coordinator |
Crew | James E. Foote | Transportation Captain |
Production | Irene Berkman | Production Coordinator |
Production | Lea Andrews | Location Manager |
Crew | Dennis A. Brown | Production Controller |
Editing | Leo Gomez-Guerra | Assistant Editor |
Editing | Charles Titone | Assistant Editor |
Crew | Albert Nalpas | Visual Effects Editor |
Sound | Bodie Chandler | Music Supervisor |
Sound | Dan Carlin Sr. | Music Editor |
Visual Effects | Brent Sellstrom | Visual Effects Coordinator |
Production | Gary Chason | Location Casting |
Camera | Howard Schwartz | Director of Photography |
Crew | Nick Dimitri | Stunts |
Lighting | Bill Neff | Gaffer |
Writing | George Schenck | Writer |
Production | James T. Aubrey | Producer |
Production | Paul N. Lazarus III | Producer |
Camera | Gene Polito | Director of Photography |
Production | Betty Martin | Casting |
Art | Trevor Williams | Art Direction |
Art | Marvin March | Set Decoration |
Art | Dennis W. Peeples | Set Decoration |
Costume & Make-Up | Janis Clark | Hairstylist |
Costume & Make-Up | Robert Norin | Makeup Artist |
Costume & Make-Up | Jo Ann Phillips | Hairstylist |
Costume & Make-Up | Marvin G. Westmore | Makeup Artist |
Writing | Mayo Simon | Writer |
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