In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
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Directing | Carol Reed | Director |
Writing | Graham Greene | Screenplay |
Production | Carol Reed | Producer |
Sound | Anton Karas | Original Music Composer |
Camera | Robert Krasker | Director of Photography |
Editing | Oswald Hafenrichter | Editor |
Camera | John Wilcox | Additional Photography |
Production | Alexander Korda | Executive Producer |
Production | David O. Selznick | Executive Producer |
Production | Hugh Perceval | Associate Producer |
Costume & Make-Up | George Frost | Makeup Artist |
Production | T.S. Lyndon-Haynes | Production Manager |
Sound | Jack Drake | Sound Editor |
Sound | Red Law | Sound Recordist |
Sound | Bert Ross | Sound Recordist |
Costume & Make-Up | Ivy Baker | Wardrobe Supervisor |
Art | Vincent Korda | Set Designer |
Crew | Noreen Best | Editorial Staff |
Directing | Jack N. Green | Third Assistant Director |
Directing | Peggy McClafferty | Continuity |
Art | John Hawkesworth | Assistant Set Designer |
Art | Joseph Bato | Assistant Set Designer |
Sound | Anton Karas | Musician |
Directing | Guy Hamilton | Assistant Director |
Camera | Edward Scaife | Camera Operator |
Camera | Denys N. Coop | Camera Operator |
Camera | Stanley Pavey | Additional Photography |
Art | Ferdinand Bellan | Assistant Art Director |
Art | James Sawyer | Assistant Art Director |
Crew | Elizabeth Montagu | Technical Advisor |
Sound | John Cox | Sound Supervisor |
Editing | Peter Taylor | Assistant Editor |
Costume & Make-Up | Joe Shear | Hairdresser |
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