The film tells the story of two good friends who live together, Andrew, an agoraphobic travel agent who works from his home, and Dave, a loser who works in an office where he is treated with contempt. Just when it seems things can't get any worse for the two, the entire world outside of their house disappears and is replaced with an endless white void.
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| Production | Vincenzo Natali | Executive Producer |
| Editing | Michele Conroy | Editor |
| Writing | Andrew Lowery | Screenplay |
| Production | Nohuhiko Sakotu | Executive Producer |
| Production | Hanno Huth | Executive Producer |
| Camera | Derek Rogers | Director of Photography |
| Sound | Michael Andrews | Original Music Composer |
| Production | Noah Segal | Executive Producer |
| Writing | Andrew Miller | Screenplay |
| Directing | Vincenzo Natali | Director |
| Production | Steven Hoban | Producer |
| Sound | Stephen Barden | Sound Supervisor |
| Visual Effects | Bret Culp | Visual Effects Supervisor |
| Sound | Craig Henighan | Sound Supervisor |
| Crew | Plato Fountidakis | Stunt Coordinator |
| Writing | David Hewlett | Story |
| Writing | Vincenzo Natali | Story |
| Sound | Craig Henighan | Sound Designer |
| Writing | Andrew Miller | Story |
| Visual Effects | Bob Munroe | Visual Effects Producer |
| Crew | Paul Rapovski | Stunt Coordinator |
| Sound | Stephen Barden | Sound Designer |
| Production | Nicole Hilliard-Forde | Casting |
| Crew | Steve Meil | Key Scenic Artist |
| Camera | Sean Jensen | Camera Operator |
| Sound | Todd Warren | Sound Re-Recording Mixer |
| Production | Andrew Lowery | Executive Producer |
| Production | Andrew Miller | Executive Producer |
| Lighting | Jeremy Hudspith | Gaffer |
| Art | Jon Beer | Set Dresser |
| Art | Mark Bryson | Head Carpenter |
| Art | Mark Hunter | Props |
| Writing | Ken Chubb | Script Consultant |
| Production | Kimberly Killam | Production Accountant |
| Art | Peter Atto | Set Decoration |
| Art | Yassar Monteleone | First Assistant Art Direction |
| Camera | Carl Savage | Dolly Grip |
| Lighting | Derek Porter | Best Boy Electric |
| Camera | John MacLean | Grip |
| Costume & Make-Up | Barb Barkley | Key Makeup Artist |
| Costume & Make-Up | Patrick Baxter | Special Effects Makeup Artist |
| Crew | Richard J. Anobile | Post Production Supervisor |
| Camera | Pief Weyman | Still Photographer |
| Camera | Jeff Wachsmann | Best Boy Grip |
| Art | Craig Harris | Set Dresser |
| Art | Jon Bankson | Construction Coordinator |
| Directing | Joanne Tickle | Second Assistant Director |
| Directing | Lisa Burling | Script Supervisor |
| Art | Kent McIntyre | Set Buyer |
| Camera | Sean Moore | Camera Trainee |
| Production | Robin D. Cook | Casting |
| Art | Jay Molloy | Standby Carpenter |
| Art | Peter Miskimmin | Props |
| Directing | Bill Spahic | First Assistant Director |
| Lighting | Scott Tremblay | Electrician |
| Camera | Sean Jensen | Steadicam Operator |
| Costume & Make-Up | Midori Nagai | Costume Set Supervisor |
| Camera | Tara Dixit | Second Assistant Camera |
| Camera | Eric Berger | Key Grip |
| Production | Paula Devonshire | Line Producer |
| Art | Dan Milligan | Storyboard Artist |
| Lighting | David Riding | Electrician |
| Sound | Steven Bourne | Sound Recordist |
| Costume & Make-Up | Matthew Galliford | Special Effects Makeup Artist |
| Crew | Rick Parker | Animal Wrangler |
| Sound | Stephen Barden | Dialogue Editor |
| Sound | Jorge Muniz | Boom Operator |
| Crew | Matthew Spahic | Animal Wrangler |
| Camera | Kevin Murphy | Second Unit Director of Photography |
| Sound | Christian Carruthers | Sound Re-Recording Mixer |
| Camera | Rob Mountjoy | First Assistant Camera |
| Crew | Michael Sinnott | Stunt Double |
| Production | John Temou | Location Manager |
| Sound | Andrew Tay | Sound Re-Recording Mixer |
| Costume & Make-Up | Paul Jones | Makeup Effects Designer |
| Crew | Kirk Middleton | Special Effects |
| Production | Jason McKenzie | Production Coordinator |
| Directing | Siegfried Kopp | Third Assistant Director |
| Editing | Mike Dubroskie | Colorist |
| Production | Mauro Sepe | Assistant Location Manager |
| Production | Dave Herchenrader | Location Production Assistant |
| Sound | Kevin Banks | Music Editor |
| Sound | Colin McLellan | ADR Recordist |
| Editing | Kenn Elliott | Colorist |
| Sound | Kelly Wright | Sound Recordist |
| Costume & Make-Up | Allan Cooke | Makeup Effects Designer |
| Production | Monica Ionson | Assistant Accountant |
| Visual Effects | Julian Grey | Animation Director |
| Sound | Gina Gyles | Assistant Foley Artist |
| Crew | Neil Davison | Stunt Double |
| Crew | Mark Ahee | Key Special Effects |
| Production | Michael Bawcutt | Assistant Production Coordinator |
| Production | Rita Bertucci | Extras Casting |
| Sound | Jill Purdy | ADR Editor |
| Sound | Matthew McKenzie | ADR Recordist |
| Crew | John LaForet | Special Effects Coordinator |
| Sound | John Sievert | Foley Artist |
| Costume & Make-Up | Gérald Altenburg | Special Effects Makeup Artist |
| Production | Beverly Warren | Publicist |
| Visual Effects | Steve Angel | Animation Director |
| Sound | Alex Bullick | First Assistant Sound Editor |
| Sound | Jamie Gould | Sound Re-Recording Assistant |
| Costume & Make-Up | Katrin Clark | Key Hair Stylist |
| Sound | Peter Persaud | Foley Recordist |
| Art | Peter Cosco | Production Design |
| Costume & Make-Up | Alex Kavanagh | Costume Design |
| Art | Jasna Stefanovic | Production Design |
| Art | Anastasia Masaro | Art Direction |
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