Billy Madison is the 27 year-old son of Bryan Madison, a very rich man who has made his living in the hotel industry. Billy stands to inherit his father's empire, but only if he can make it through all 12 grades, 2 weeks per grade, to prove that he has what it takes to run the family business.
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| Directing | Tamra Davis | Director |
| Production | Fitch Cady | Executive Producer |
| Production | Robert Simonds | Producer |
| Sound | Randy Edelman | Original Music Composer |
| Camera | Victor Hammer | Director of Photography |
| Editing | John Gilroy | Editor |
| Editing | Jeffrey Wolf | Editor |
| Writing | Adam Sandler | Writer |
| Writing | Tim Herlihy | Writer |
| Directing | Martin Walters | First Assistant Director |
| Directing | David Vaughan | Second Assistant Director |
| Crew | Ted Hanlan | Stunts |
| Crew | Curtis Parker | Stunts |
| Art | J. Tracy Budd | Property Master |
| Art | Dan Wladyka | Leadman |
| Crew | Mic Jones | Stunts |
| Crew | Ron Van Hart | Stunts |
| Crew | Dwayne McLean | Stunts |
| Crew | Marco Bianco | Stunts |
| Crew | Joey Petralito | Stunts |
| Crew | John Stead | Stunts |
| Crew | Jamie Jones | Stunts |
| Crew | Tony Cordeiro | Stunts |
| Crew | Rebecca Bell | Stunts |
| Crew | Jonathan Seglins | Stunts |
| Art | Tom Coulter | Set Buyer |
| Camera | Harald Ortenburger | Camera Operator |
| Camera | Thom Ryan | First Assistant Camera |
| Camera | Dean Stinchcombe | Second Assistant Camera |
| Camera | Keith Murphy | "B" Camera Operator |
| Camera | Keith Murphy | Steadicam Operator |
| Sound | Robert Scherer | Boom Operator |
| Camera | Mark Manchester | Key Grip |
| Lighting | Steve Ferrier | Gaffer |
| Lighting | Michael Galbraith | Best Boy Electric |
| Camera | Malcolm Nefsky | Best Boy Grip |
| Lighting | Brian Montague | Electrician |
| Lighting | Gary Deneault | Electrician |
| Lighting | Don Caulfield | Electrician |
| Camera | Ron Renzetti | Grip |
| Camera | Fabian MacDonald | Grip |
| Camera | Tracy Shaw | Grip |
| Camera | Bob O'Connor | Grip |
| Crew | Jordan Craig | Special Effects |
| Crew | Clarence Ford | Choreographer |
| Costume & Make-Up | Susan MacLeod | Assistant Costume Designer |
| Costume & Make-Up | Christopher Hargadon | Wardrobe Master |
| Costume & Make-Up | Kelly Brennan | Key Hair Stylist |
| Costume & Make-Up | Edelgard K. Pfluegl | Key Makeup Artist |
| Costume & Make-Up | Mary-Lou Green-Benvenuti | Makeup Artist |
| Costume & Make-Up | Carol Davidson | Hairstylist |
| Production | Eardley Wilmot | Assistant Location Manager |
| Production | Lyn Lucibello | Production Accountant |
| Production | Susan Starre McKibbin | Assistant Accountant |
| Production | Nick Kontsalakis | Assistant Accountant |
| Directing | Louise Renault | Second Second Assistant Director |
| Directing | Rob Fowler | Third Assistant Director |
| Production | Whitney Brown | Production Coordinator |
| Production | Anne Paynter | Assistant Production Coordinator |
| Production | Donna Dupere | Extras Casting |
| Crew | Jill Jones | Unit Publicist |
| Art | Phillip Tellez | Construction Coordinator |
| Crew | Don Retzer | Transportation Coordinator |
| Crew | Matt Wladyka | Driver |
| Crew | Dean Witthun | Driver |
| Crew | Joe Vechiola | Driver |
| Crew | Doug Perry | Driver |
| Crew | Lorne Frederick | Driver |
| Crew | Norman Foster | Driver |
| Crew | Wally Dibacco | Driver |
| Crew | Pat Brennan | Driver |
| Crew | Ken Barbet | Driver |
| Sound | Susan Dudeck | Dialogue Editor |
| Sound | Ulrika Akander | Dialogue Editor |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | Jerry Ross | Supervising Sound Editor |
| Sound | Jonathan Klein | Foley Editor |
| Sound | Christopher Flick | Foley Editor |
| Sound | Jeanine Payne | First Assistant Sound Editor |
| Sound | Michelle Pleis | Assistant Sound Editor |
| Sound | Jeff Courtie | ADR Mixer |
| Sound | David Novack | ADR Mixer |
| Sound | Darcy Kite | ADR Mixer |
| Sound | Barbara McCart | ADR Recordist |
| Sound | Hilda Hodges | Foley Artist |
| Sound | John Roesch | Foley Artist |
| Sound | Bobby Johanson | ADR Recordist |
| Sound | Ian Rankin | ADR Recordist |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | Carolyn Tapp | Foley Recordist |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Scott Millan | Sound Re-Recording Mixer |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Sound | Ralph Ferraro | Orchestrator |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Art | Perry Andelin Blake | Production Design |
| Costume & Make-Up | Marie-Sylvie Deveau | Costume Design |
| Art | Enrico Campana | Set Decoration |
| Art | Gordon Barnes | Art Direction |
| Camera | Bruce Macaulay | Still Photographer |
| Editing | Charlene Olson | First Assistant Editor |
| Sound | Ralph Sall | Music Supervisor |
| Sound | Sally Boldt | Music Editor |
| Sound | John LaSalandra | Music Editor |
| Crew | Grant Volkers | Transportation Captain |
| Directing | Sylvie Chesneau | Script Supervisor |
| Production | Ross T. Fanger | Unit Production Manager |
| Production | Jack Giarraputo | Associate Producer |
| Production | Deirdre Bowen | Casting |
| Production | Jaki Brown | Casting |
| Production | Todd M. Thaler | Casting |
| Sound | Kimberly Harris | Supervising Sound Editor |
| Sound | Allan Byer | Sound Mixer |
| Sound | John Edwards-Younger | Sound Effects Editor |
| Sound | John Joseph Thomas | Sound Effects Editor |
| Crew | Ted Hanlan | Stunt Coordinator |
| Production | Brian Campbell | Location Manager |
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