Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck
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Writing | Jim Fisher | Screenplay |
Sound | Lalo Schifrin | Original Music Composer |
Production | Ian Bryce | Producer |
Production | Penelope Spheeris | Producer |
Directing | Penelope Spheeris | Director |
Camera | Robert Brinkmann | Director of Photography |
Editing | Ross Albert | Editor |
Writing | Lawrence Konner | Screenplay |
Writing | Mark Rosenthal | Screenplay |
Writing | Jim Staahl | Screenplay |
Art | Peter Jamison | Production Design |
Crew | Patricia M. Peters | Stunts |
Costume & Make-Up | Jami Burrows | Costume Designer |
Production | Glenn Daniels | Casting |
Crew | Michael Cassidy | Stunt Coordinator |
Production | Ian Bryce | Unit Production Manager |
Crew | Dana Dru Evenson | Stunts |
Crew | Steven R. King | Stunts |
Art | Margie Stone McShirley | Art Direction |
Art | Terry E. Lewis | Property Master |
Directing | Matt Earl Beesley | First Assistant Director |
Sound | Thomas Causey | Sound Mixer |
Costume & Make-Up | Diane Higgins | Set Costumer |
Costume & Make-Up | Anna Spheeris | Set Costumer |
Directing | Karen Golden | Script Supervisor |
Crew | Ronald Zarro | Special Effects |
Visual Effects | Richard Zarro | Special Effects Supervisor |
Crew | Lynn Salvatori | Stunts |
Lighting | Dan Kerns | Rigging Gaffer |
Camera | Brent L. Jones | Grip |
Production | Robb Hastigan | Assistant Accountant |
Costume & Make-Up | Karen Blynder | Makeup Artist |
Costume & Make-Up | Carol A. O'Connell | Hair Supervisor |
Camera | Mark Shane Davis | Key Grip |
Crew | Jim Ries | Stunt Driver |
Art | Lawrence A. Hubbs | Set Designer |
Art | Glenn W. Ryan | Assistant Property Master |
Costume & Make-Up | Karen Bellamy | Costume Supervisor |
Crew | Kari Toth | Stunts |
Camera | Alex Leyton | First Assistant Camera |
Production | Susan Spencer Robbins | Production Supervisor |
Costume & Make-Up | Brad Wilder | Makeup Supervisor |
Costume & Make-Up | Janice Alexander | Hairstylist |
Production | Robert E. Wozniak | Assistant Accountant |
Crew | Gary Guercio | Stunts |
Crew | Linda L.C. Madalone | Stunts |
Crew | Gary Morgan | Stunts |
Directing | Ronald Chong | Second Assistant Director |
Production | Carolyn Hagan | Production Coordinator |
Costume & Make-Up | Jyl Moder | Set Costumer |
Lighting | Ed Maloney | Best Boy Electric |
Camera | Hank Sheppherd | Best Boy Grip |
Camera | Daniel Pershing | Dolly Grip |
Camera | Mitchell Linden | Grip |
Crew | Debbie Evans | Stunts |
Camera | John Ziegler | Camera Loader |
Sound | Joseph F. Brennan | Boom Operator |
Production | Christine C. Fransen | Assistant Production Coordinator |
Crew | Ellen Christopher | Stunts |
Crew | Annie Ellis | Stunts |
Crew | Cherie Tash | Stunts |
Art | Evelyne Barbier | Assistant Art Director |
Directing | Brian Fong | Second Second Assistant Director |
Art | Linda Spheeris | Set Decoration |
Camera | David Hennings | Camera Operator |
Art | Roy 'Bucky' Moore | Property Master |
Lighting | Reinhart Peschke | Chief Lighting Technician |
Camera | Thomas Vandermillen | Second Assistant Camera |
Art | John Huke | Assistant Art Director |
Sound | Richard Kite | Boom Operator |
Lighting | Mark Gambino | Key Rigging Grip |
Production | Craig Pointes | Location Manager |
Crew | Stanley R. Webber | Transportation Captain |
Sound | Scott C. Eyler | Assistant Sound Editor |
Sound | Petra Bach | Supervising ADR Editor |
Sound | Robert Ulrich | ADR Editor |
Sound | Greg Steele | ADR Recordist |
Production | Gayle Sandler | Assistant Accountant |
Sound | Harry E. Snodgrass | Sound Designer |
Sound | Dave Kulczycki | Sound Editor |
Sound | Michelle Pleis | Assistant Sound Editor |
Sound | Steve Maslow | Sound Re-Recording Mixer |
Camera | J. Michael Muro | Steadicam Operator |
Sound | Hal Sanders | Sound Editor |
Sound | Dan O'Connell | Foley Artist |
Camera | Deana Newcomb | Still Photographer |
Art | Janet Kusnick | Storyboard Artist |
Lighting | Frank Tobin | Best Boy Electric |
Camera | Kurt Grossi | Best Boy Grip |
Crew | Robert Easton | Dialect Coach |
Crew | Brad Jeffries | Choreographer |
Production | David E. Kaufman | Assistant Location Manager |
Crew | Lee Garibaldi | Transportation Captain |
Sound | Mark Gordon | Sound Editor |
Sound | Ira Hearshen | Orchestrator |
Sound | William Jacobs | Sound Editor |
Sound | Steve Mccroskey | Music Editor |
Sound | Pamela Madieros | Music Coordinator |
Sound | Gregory M. Gerlich | Supervising Sound Editor |
Art | Gary A. Krakoff | Construction Coordinator |
Crew | Tommy Tancharoen | Transportation Coordinator |
Sound | Samuel Webb | Assistant Sound Editor |
Sound | Craig A. Dellinger | ADR Editor |
Sound | Charleen Richards-Steeves | ADR Mixer |
Art | R. Scott Doran | Leadman |
Costume & Make-Up | Jorge García | Set Costumer |
Camera | Elizabeth Ziegler | Steadicam Operator |
Sound | Andy Kopetzky | Sound Editor |
Sound | Scott Burrow | ADR Editor |
Crew | Andrew Lipschultz | Unit Publicist |
Sound | Teri E. Dorman | Sound Editor |
Art | Steve Thayer | Construction Foreman |
Editing | Ann Trulove | First Assistant Editor |
Sound | Gregg Landaker | Sound Re-Recording Mixer |
Editing | Maria Montoreano | Assistant Editor |
Sound | Gary S. Gerlich | Supervising Sound Editor |
Sound | Richard LeGrand Jr. | Sound Editor |
Art | Peter Etnoyer | Art Department Coordinator |
Production | Monty J. Goodson | Casting Associate |
Editing | Gary Burritt | Negative Cutter |
Production | Kristan Wagner | Location Manager |
Sound | Zack Davis | ADR Editor |
Sound | Gary A. Hecker | Foley Artist |
Production | Susan J. Hellmann | Key Set Production Assistant |
Editing | Mike Stanwick | Color Timer |
Sound | Stephen E. Smith | Music Supervisor |
Production | Jimmy Jue | Extras Casting |
Crew | Jamie Kehoe | Craft Service |
Crew | Noon Orsatti | Stunts |
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