Singer Jane DaSilva inherits the family foundation which is a non-profit detective agency that helps people who aren’t able to help themselves. Jane’s Aunt Sadie and Detective John Cameron act as her mentors as she takes on her first case surrounding a mother’s untimely death years before. As Jane investigates a multi-level marketing company that took advantage of her client’s fragile mom, she realizes that digging up the past can be dangerous...
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| Crew | Stephannie Hawkins | Stunt Coordinator |
| Camera | Maanas Kochhar | First Assistant "B" Camera |
| Sound | Alex Mine | Foley Editor |
| Editing | Mike Donis | Editor |
| Production | Noah Godfrey | Location Assistant |
| Production | Stan Hum | Executive Producer |
| Production | Joel Werenich | Assistant Location Manager |
| Production | Matthew Watt | Production Accountant |
| Crew | Kerry Rix | Post Production Supervisor |
| Directing | Diego Garcia | First Assistant Director |
| Production | Lauren Regan Bell | Production Manager |
| Camera | Blake Gordey | "B" Camera Operator |
| Crew | Jason Brrl | Stunt Driver |
| Sound | Steph Copeland | Original Music Composer |
| Camera | Victor On | First Assistant "A" Camera |
| Costume & Make-Up | Taylor Farley-Smith | Key Makeup Artist |
| Directing | Sacha Sewhdat | Script Supervisor |
| Visual Effects | Dustin Hitchcock | Visual Effects Supervisor |
| Sound | Scott McCrorie | Supervising Sound Editor |
| Art | Nicole Lankar | Set Decoration |
| Costume & Make-Up | Jesse Manners | Assistant Costume Designer |
| Sound | Ryan Eligh | Sound Effects Editor |
| Production | Donald Teuma-Castelletti | Unit Production Manager |
| Sound | Devin Lacroix | Boom Operator |
| Lighting | Ed Hannaford | Gaffer |
| Costume & Make-Up | Kenda Hoggan | Costume Designer |
| Art | Robbie Lemieux | Art Direction |
| Production | Rob Laronde | Location Manager |
| Sound | Evan Turner | Sound Effects Editor |
| Camera | Cameron Bartlett | Still Photographer |
| Costume & Make-Up | Hannah Stilwell | Costume Assistant |
| Editing | Ramsha Nasir | Assistant Editor |
| Sound | Carlo Scrignaro | Dialogue Editor |
| Camera | Ashley Mach | Second Assistant "A" Camera |
| Sound | Chris Robinson | Music Supervisor |
| Art | Jessica Whyte | Production Design |
| Production | Katie Jones | Casting Assistant |
| Camera | Austin MacDonald | First Assistant "A" Camera |
| Lighting | Sean Steinman | Best Boy Electric |
| Camera | Rod Hafezi | Second Assistant "B" Camera |
| Sound | Michael Curtis | Sound Recordist |
| Sound | Andrew William | Sound Re-Recording Mixer |
| Writing | K.K. Beck | Book |
| Directing | Lily Marie Ferguson | Second Assistant Director |
| Production | Maureen Evans | Background Casting Director |
| Camera | Eamon Hillis | Key Grip |
| Art | Abby Shapiro | Set Dresser |
| Costume & Make-Up | Taylor Farley-Smith | Key Hair Stylist |
| Costume & Make-Up | Vanessa Coscarella | Makeup & Hair Assistant |
| Costume & Make-Up | Alexandra Blades | Makeup & Hair Assistant |
| Production | Rebecca LaMarche | Casting Director |
| Camera | Thomas Cornish | Best Boy Grip |
| Sound | Aaron Hutchinson | Sound Recordist |
| Sound | Alex Mine | Foley Artist |
| Production | Sara Van Vugt | Production Coordinator |
| Directing | Claudia Riggi | Third Assistant Director |
| Production | Nancy Yeaman | Executive Producer |
| Production | Jessica Reis | Producer |
| Production | Myles Milne | Producer |
| Production | Peter Durst | Associate Producer |
| Production | Beth Stevenson | Executive Producer |
| Art | Shaina Follis | Property Master |
| Directing | Marco Deufemia | Director |
| Crew | Don Stockford | Stunt Coordinator |
| Camera | Aldo Quirván | Director of Photography |
| Production | Rebecca LaMarche | Associate Producer |
| Writing | Neale Kimmel | Writer |
| Production | Jodie Sweetin | Executive Producer |
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