Pete Marshall is sent as a replacement to the mountain district town of Plainville when a public opinion surveyor who went there goes missing. Visiting the hillbilly family of Mamie Fleagle, Pete begins to suspect that she and her two sons have murdered the surveyor. Pete then believes that Mamie is slowly poisoning wealthy Grandma Fleagle, who has put a vital clue to her fortune in a nonsensical embroidered sampler.
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| Directing | George Marshall | Director |
| Writing | Jack Moffitt | Story |
| Writing | Lou Breslow | Screenplay |
| Costume & Make-Up | Mary Kay Dodson | Wardrobe Designer |
| Crew | Joseph J. Lilley | Additional Music |
| Sound | Philip Wisdom | Scoring Mixer |
| Sound | Robert Emmett Dolan | Original Music Composer |
| Camera | Theodor Sparkuhl | Director of Photography |
| Editing | LeRoy Stone | Editor |
| Art | Hans Dreier | Art Direction |
| Art | William Flannery | Art Direction |
| Art | George Sawley | Set Decoration |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Directing | Arthur S. Black Jr. | Assistant Director |
| Sound | Don Johnson | Sound Recordist |
| Sound | Gene Merritt | Sound Recordist |
| Visual Effects | Gordon Jennings | Visual Effects |
| Visual Effects | Paul K. Lerpae | Visual Effects |
| Crew | Betty Danko | Stunts |
| Crew | Audrey Scott | Stunts |
| Camera | Lothrop B. Worth | Additional Camera |
| Sound | George Parrish | Orchestrator |
| Production | E.D. Leshin | Associate Producer |
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