Set in 1951, a blacklisted Hollywood writer gets into a car accident, loses his memory and settles down in a small town where he is mistaken for a long-lost son.
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| Camera | David Tattersall | Director of Photography |
| Production | Frank Darabont | Producer |
| Sound | Mark Isham | Original Music Composer |
| Writing | Michael Sloane | Screenplay |
| Editing | Jim Page | Editor |
| Directing | Frank Darabont | Director |
| Costume & Make-Up | Bill Corso | Makeup Department Head |
| Production | Deborah Aquila | Casting |
| Sound | Dean A. Zupancic | Sound Re-Recording Mixer |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Directing | Susan Malerstein | Script Supervisor |
| Editing | Tracey Wadmore-Smith | First Assistant Editor |
| Sound | Tom Carlson | Music Editor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Directing | Lyn Matsuda Norton | Script Supervisor |
| Camera | David Emmerichs | Camera Operator |
| Editing | Vince Filippone | First Assistant Editor |
| Lighting | H. Mark Vuille | Gaffer |
| Sound | Mark Ulano | Production Sound Mixer |
| Production | Alison Harstedt | Production Supervisor |
| Sound | Tom Hartig | Boom Operator |
| Art | Natalie Pope | Set Decoration |
| Art | Gregory Melton | Production Design |
| Lighting | Todd Sater | Rigging Gaffer |
| Camera | David Emmerichs | Steadicam Operator |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Crew | Katie Rowe | Stunts |
| Crew | Jacob Cooney | Set Production Assistant |
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