In 1965, a young woman with dreams of becoming a writer has a son at the age of 15 and struggles to make things work with the drug-addicted father.
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| Editing | Lawrence Jordan | Editor |
| Writing | Morgan Ward | Screenplay |
| Production | Julie Ansell | Producer |
| Camera | Miroslav Ondříček | Director of Photography |
| Directing | Penny Marshall | Director |
| Sound | Hans Zimmer | Original Music Composer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Production | Timothy M. Bourne | Co-Producer |
| Production | Amy Lemisch | Co-Producer |
| Sound | Heitor Pereira | Additional Soundtrack |
| Costume & Make-Up | Francesca Paris | Key Hair Stylist |
| Production | Richard Baratta | Unit Production Manager |
| Art | Molly Mikula | Assistant Art Director |
| Sound | Christine Danelski | Foley Editor |
| Sound | Kira Edmunds | Assistant Sound Editor |
| Production | Morgan Ward | Executive Producer |
| Art | Raymond M. Samitz | Construction Coordinator |
| Sound | Richard Corwin | Dialogue Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Sound | Alicia Stevenson | Foley Artist |
| Costume & Make-Up | Cynthia Flynt | Costume Design |
| Sound | Carin Rogers | Dialogue Editor |
| Production | James L. Brooks | Producer |
| Costume & Make-Up | Judi Goodman | Hairstylist |
| Production | Sheila Jaffe | Casting |
| Costume & Make-Up | Kathleen Mobley | Wardrobe Coordinator |
| Sound | Verna Mandel | Music Editor |
| Editing | Richard Marks | Editor |
| Art | Ted Haigh | Assistant Art Director |
| Art | Marion Kolsby | Assistant Art Director |
| Production | Georgianne Walken | Casting |
| Art | George DeTitta Jr. | Set Decoration |
| Costume & Make-Up | Kimberly Greene | Makeup Artist |
| Costume & Make-Up | Stanley Hall | Hairstylist |
| Art | Amy Safhay | Greensman |
| Sound | David Betancourt | Foley Mixer |
| Sound | Wayne Griffin | ADR Editor |
| Sound | Michele Perrone | ADR Editor |
| Lighting | Xavier Henselmann | Assistant Chief Lighting Technician |
| Camera | George Patsos | Key Grip |
| Sound | Jennifer Nash | Music Editor |
| Production | Bridget Johnson | Executive Producer |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Victoria Sampson | Dialogue Editor |
| Camera | Kyle Rudolph | Steadicam Operator |
| Editing | Terel Gibson | Assistant Editor |
| Production | Scott Kordish | Production Coordinator |
| Crew | Amy Leigh Johnson | Unit Publicist |
| Writing | Beverly D'Onofrio | Book |
| Production | Richard Sakai | Producer |
| Sound | Dennis Drummond | Supervising Sound Editor |
| Sound | Laura Graham | ADR Editor |
| Sound | Jonathan Klein | Foley Supervisor |
| Camera | Keith Bunting | Dolly Grip |
| Costume & Make-Up | Rose Wells | Wardrobe Supervisor |
| Art | Bill Groom | Production Design |
| Sound | Kim Drummond | Dialogue Editor |
| Sound | Stewart Nelsen | Sound Effects Editor |
| Camera | Matthew W. Flannery | Second Assistant "B" Camera |
| Costume & Make-Up | Joni M. Huth | Seamstress |
| Editing | Paul Parsons | Assistant Editor |
| Crew | Al Cerullo | Pilot |
| Production | Beverly D'Onofrio | Co-Producer |
| Production | Laurence Mark | Producer |
| Costume & Make-Up | Don Kozma | Makeup Artist |
| Art | David H. Allen | Property Master |
| Art | Stephen H. Carter | Assistant Art Director |
| Crew | Doug Cluff | Scenic Artist |
| Sound | John M. Chalfant | Sound Effects Editor |
| Sound | Matthew Dettmann | Foley Editor |
| Sound | Scott G.G. Haller | Foley Editor |
| Sound | Howard London | ADR Mixer |
| Art | Teresa Carriker-Thayer | Art Direction |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Lane Burch | Foley Mixer |
| Sound | Ann Ducommun | Assistant Sound Editor |
| Costume & Make-Up | Cheryl Kilbourne-Kimpton | Wardrobe Supervisor |
| Editing | Debra L. Tennant | First Assistant Editor |
| Costume & Make-Up | Christine Leiter | Makeup Artist |
| Costume & Make-Up | Bernadette Mazur | Key Makeup Artist |
| Sound | Bill Burns | Assistant Sound Editor |
| Sound | Galen Goodpaster | Assistant Sound Editor |
| Directing | Danielle Rigby | Second Assistant Director |
| Crew | Garf Brown | Scenic Artist |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Dana LeBlanc Frankley | Assistant Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Production | Sara Colleton | Producer |
| Costume & Make-Up | Barbara Olvera | Hairstylist |
| Directing | Richard Patrick | First Assistant Director |
| Art | Gerald DeTitta | Leadman |
| Editing | Juli Vizza | Assistant Editor |
| Sound | Alison Fisher | ADR Supervisor |
| Camera | Joe Collins | First Assistant Camera |
| Camera | Gary Muller | First Assistant Camera |
| Lighting | Billy Patsos | Rigging Grip |
| Costume & Make-Up | Lynn Hoffman | Assistant Costume Designer |
| Crew | Sylvia Trapanese | Scenic Artist |
| Sound | Michael O'Farrell | Sound Effects Editor |
| Lighting | Petr Hlinomaz | Chief Lighting Technician |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Craig DiBona | Camera Operator |
| Camera | Kathleen Corgan | Camera Loader |
| Camera | A. Lee Morris | Second Assistant Camera |
| Editing | Greg Thompson | Assistant Editor |
| Production | Lyn Pinezich | Location Manager |
| Production | Katharina Eggmann | Casting Associate |
| Sound | Laura Perlman | Music Editor |
| Directing | Luca Kouimelis | Script Supervisor |
| Sound | Joe White | Boom Operator |
| Camera | John Sosenko | Camera Operator |
| Editing | Marisa Morabito | Assistant Editor |
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