Father Conroy has a parish which serves the acting and performance community. When one of his parishioners gets too sick to work, his daughter Holly finds a job working for a dance club of questionable character, which is run by Tony Vincent. Vincent never made the big time, and Father Conroy tries to look after Holly.
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| Directing | Frank Tashlin | Director |
| Writing | Robert O'Brien | Writer |
| Production | Frank Tashlin | Producer |
| Sound | Harry M. Leonard | Sound Recordist |
| Sound | E. Clayton Ward | Sound Recordist |
| Camera | Leo Tover | Director of Photography |
| Editing | Hugh S. Fowler | Editor |
| Art | Leland Fuller | Art Direction |
| Art | Lyle R. Wheeler | Art Direction |
| Art | Eli Benneche | Set Decoration |
| Art | Walter M. Scott | Set Decoration |
| Costume & Make-Up | Charles LeMaire | Costume Design |
| Costume & Make-Up | Adele Palmer | Costume Design |
| Directing | Joseph E. Rickards | Assistant Director |
| Crew | Alex Romero | Choreographer |
| Sound | Lionel Newman | Music Supervisor |
| Sound | Lionel Newman | Conductor |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Costume & Make-Up | Helen Turpin | Hairstylist |
| Sound | Earle Hagen | Orchestrator |
| Sound | Herbert W. Spencer | Orchestrator |
| Sound | Pete King | Orchestrator |
| Sound | Jimmy Van Heusen | Songs |
| Sound | Sammy Cahn | Songs |
| Sound | Lionel Newman | Original Music Composer |
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