A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.
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| Editing | Amy E. Duddleston | Editor |
| Sound | Bernard Herrmann | Original Music Composer |
| Production | Gus Van Sant | Producer |
| Writing | Joseph Stefano | Screenplay |
| Directing | Gus Van Sant | Director |
| Production | Brian Grazer | Producer |
| Writing | Robert Bloch | Novel |
| Camera | Christopher Doyle | Director of Photography |
| Sound | Kelley Baker | Sound Designer |
| Sound | Kelley Baker | Supervising Sound Editor |
| Art | Tom Foden | Production Design |
| Art | Rosemary Brandenburg | Set Decoration |
| Costume & Make-Up | Elaine L. Offers | Makeup Department Head |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Production | Dany Wolf | Executive Producer |
| Production | Howard Feuer | Casting |
| Sound | Danny Elfman | Music Producer |
| Sound | Steve Bartek | Music Producer |
| Production | Jim Whitaker | Associate Producer |
| Camera | David Golia | Camera Operator |
| Crew | Eliza Coleman | Stunts |
| Crew | Janae Louise Marsh | Stunts |
| Crew | Patricia M. Peters | Stunts |
| Crew | Tabby Hanson | Stunts |
| Crew | Stephanie Reaves | Stunts |
| Production | Dany Wolf | Unit Production Manager |
| Crew | Hilton A. Green | Technical Advisor |
| Crew | Mickey Giacomazzi | Stunt Coordinator |
| Directing | Conte Mark Matal | Second Assistant Director |
| Art | Amie McCarthy Winn | Property Master |
| Camera | Tony Chiu | Camera Loader |
| Art | Carlos Barbosa | Art Direction |
| Art | Kris Fuller | Set Dresser |
| Lighting | Larry J. Richardson | Best Boy Electric |
| Sound | Ron Judkins | Production Sound Mixer |
| Art | Saul Bass | Title Designer |
| Art | Brett C. Smith | Leadman |
| Production | Buddy Enright | Production Supervisor |
| Directing | Bruce Franklin | First Assistant Director |
| Art | Edward J. Protiva | Set Dresser |
| Art | Kelly Berry | Set Dresser |
| Art | Nicole Koenigsberger | Set Designer |
| Lighting | Daniel Windels | Electrician |
| Crew | Jack Carpenter | Stunts |
| Art | Angi Neff | Leadman |
| Camera | Suzanne Trucks | Second Assistant Camera |
| Art | Tim Beach | Set Designer |
| Art | Victoria Ruskin | Set Designer |
| Art | Jay Smith | Set Dresser |
| Crew | Robert Hackl | Post Production Supervisor |
| Art | Steven Ladish | Set Dresser |
| Lighting | David Devlin | Gaffer |
| Crew | Marshall Schlom | Technical Advisor |
| Art | Kristen Davis | Set Designer |
| Art | Glenn H. Roberts | Set Dresser |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Costume & Make-Up | Gina Monaci | Makeup Artist |
| Camera | Suzanne Tenner | Still Photographer |
| Sound | Richard Moore | Sound Editor |
| Camera | Jamie Franta | Grip |
| Lighting | Charley Gilleran | Rigging Grip |
| Lighting | Rick Uva | Rigging Grip |
| Production | Jeff Crandell | Location Manager |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Camera | Bob Anderson | Best Boy Grip |
| Production | Glenn Nicol | Production Accountant |
| Production | Noelle Chapin | Production Coordinator |
| Camera | Mike Schwake | Dolly Grip |
| Camera | Brad Boyer | Grip |
| Crew | Erick Brennan | Special Effects Coordinator |
| Costume & Make-Up | Candy L. Walken | Hair Department Head |
| Production | Talley Singer | Production Secretary |
| Camera | Jim Kwiatkowski | Key Grip |
| Camera | Alexander Griffiths | Grip |
| Production | Dixie Webster | Extras Casting |
| Crew | Guy Adan | Unit Publicist |
| Lighting | Brian Lukas | Rigging Gaffer |
| Lighting | Daniel Coscia | Rigging Grip |
| Production | Timothy Falconer | Assistant Location Manager |
| Directing | Jane Goldsmith | Script Supervisor |
| Lighting | Mathew Marden | Rigging Grip |
| Costume & Make-Up | Vanessa Vogel | Costume Supervisor |
| Production | Kristin Claiborne | Assistant Production Coordinator |
| Sound | Concha Solano | Assistant Sound Editor |
| Costume & Make-Up | Cookie Lopez | Key Costumer |
| Costume & Make-Up | Matthew W. Mungle | Special Effects Key Makeup Artist |
| Costume & Make-Up | Edward St. George | Hairstylist |
| Costume & Make-Up | Lana Heying | Hairstylist |
| Editing | Phillip J. Bartell | Assistant Editor |
| Sound | Patrick Winters | Sound Editor |
| Sound | Michael "Gonzo" Gandsey | Sound Editor |
| Sound | Doc Kane | ADR Mixer |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Chris Culliton | Electrician |
| Costume & Make-Up | Frank Helmer | Set Costumer |
| Lighting | Marek Bojsza | Electrician |
| Directing | Hans Berggren | Second Second Assistant Director |
| Production | Meredith Tucker | Casting Associate |
| Camera | Brad Gissell | Grip |
| Art | Richard J. Bayard | Construction Coordinator |
| Crew | Peter McKernan Sr. | Pilot |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Peter Appleton | ADR Supervisor |
| Editing | Helen Hand | Assistant Editor |
| Sound | Leslie Shatz | Sound Re-Recording Mixer |
| Sound | David A. Cohen | Dialogue Editor |
| Sound | Frank Rinella | Foley Recordist |
| Sound | Alan Holly | ADR Mixer |
| Sound | Ben Conrad | Foley Recordist |
| Sound | Kenneth Karman | Supervising Music Editor |
| Sound | Brent Brooks | Music Editor |
| Editing | Bob McMillian | Color Timer |
| Crew | Peter McKernan | Pilot |
| Crew | Alfred Hitchcock | In Memory Of |
| Sound | Patti Tauscher | Foley Editor |
| Crew | Victor Anderson | Transportation Coordinator |
| Sound | Aaron Olsen | Assistant Sound Editor |
| Sound | Jim Pasque | Foley Recordist |
| Sound | Marnie Moore | Foley Artist |
| Art | Cliff Bergman | Construction Foreman |
| Sound | Margie O'Malley | Foley Artist |
| Sound | Steve Bartek | Conductor |
| Sound | Robert Jackson | Boom Operator |
| Crew | Robin Lynn Bonaccorsi | Stunt Double |
| Costume & Make-Up | Rick Baker | Makeup Artist |
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