A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.
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Production | Gus Van Sant | Producer |
Sound | Bernard Herrmann | Original Music Composer |
Directing | Gus Van Sant | Director |
Writing | Joseph Stefano | Screenplay |
Editing | Amy E. Duddleston | Editor |
Writing | Robert Bloch | Novel |
Camera | Christopher Doyle | Director of Photography |
Production | Brian Grazer | Producer |
Sound | Kelley Baker | Supervising Sound Editor |
Sound | Kelley Baker | Sound Designer |
Production | Dany Wolf | Executive Producer |
Art | Tom Foden | Production Design |
Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
Costume & Make-Up | Elaine L. Offers | Makeup Department Head |
Art | Rosemary Brandenburg | Set Decoration |
Production | Howard Feuer | Casting |
Sound | Danny Elfman | Music Producer |
Sound | Steve Bartek | Music Producer |
Art | Kristen Davis | Set Designer |
Art | Kelly Berry | Set Dresser |
Art | Jay Smith | Set Dresser |
Camera | Suzanne Trucks | Second Assistant Camera |
Sound | Ron Judkins | Production Sound Mixer |
Production | Dany Wolf | Unit Production Manager |
Crew | Hilton A. Green | Technical Advisor |
Art | Carlos Barbosa | Art Direction |
Directing | Conte Mark Matal | Second Assistant Director |
Art | Nicole Koenigsberger | Set Designer |
Camera | Tony Chiu | Camera Loader |
Directing | Bruce Franklin | First Assistant Director |
Production | Buddy Enright | Production Supervisor |
Lighting | David Devlin | Gaffer |
Art | Angi Neff | Leadman |
Crew | Patricia M. Peters | Stunts |
Crew | Robert Hackl | Post Production Supervisor |
Crew | Marshall Schlom | Technical Advisor |
Art | Glenn H. Roberts | Set Dresser |
Camera | Clyde E. Bryan | First Assistant Camera |
Crew | Eliza Coleman | Stunts |
Production | Jim Whitaker | Associate Producer |
Art | Steven Ladish | Set Dresser |
Camera | David Golia | Camera Operator |
Art | Victoria Ruskin | Set Designer |
Lighting | Larry J. Richardson | Best Boy Electric |
Art | Edward J. Protiva | Set Dresser |
Art | Saul Bass | Title Designer |
Art | Amie McCarthy Winn | Property Master |
Art | Tim Beach | Set Designer |
Art | Kris Fuller | Set Dresser |
Crew | Tabby Hanson | Stunts |
Art | Brett C. Smith | Leadman |
Lighting | Daniel Windels | Electrician |
Crew | Mickey Giacomazzi | Stunt Coordinator |
Crew | Jack Carpenter | Stunts |
Crew | Janae Louise Marsh | Stunts |
Crew | Stephanie Reaves | Stunts |
Camera | Alexander Griffiths | Grip |
Costume & Make-Up | Frank Helmer | Set Costumer |
Lighting | Daniel Coscia | Rigging Grip |
Lighting | Mathew Marden | Rigging Grip |
Camera | Jamie Franta | Grip |
Crew | Erick Brennan | Special Effects Coordinator |
Production | Glenn Nicol | Production Accountant |
Lighting | Charley Gilleran | Rigging Grip |
Production | Noelle Chapin | Production Coordinator |
Costume & Make-Up | Matthew W. Mungle | Special Effects Key Makeup Artist |
Sound | Doc Kane | ADR Mixer |
Costume & Make-Up | Vanessa Vogel | Costume Supervisor |
Costume & Make-Up | Cookie Lopez | Key Costumer |
Production | Kristin Claiborne | Assistant Production Coordinator |
Crew | Guy Adan | Unit Publicist |
Editing | Phillip J. Bartell | Assistant Editor |
Camera | Jim Kwiatkowski | Key Grip |
Costume & Make-Up | Gina Monaci | Makeup Artist |
Camera | Mike Schwake | Dolly Grip |
Costume & Make-Up | Candy L. Walken | Hair Department Head |
Sound | Steve Bartek | Conductor |
Camera | Bob Anderson | Best Boy Grip |
Camera | Brad Gissell | Grip |
Camera | Suzanne Tenner | Still Photographer |
Costume & Make-Up | Edward St. George | Hairstylist |
Costume & Make-Up | Lana Heying | Hairstylist |
Production | Jeff Crandell | Location Manager |
Lighting | Chris Culliton | Electrician |
Production | Dixie Webster | Extras Casting |
Production | Timothy Falconer | Assistant Location Manager |
Production | Talley Singer | Production Secretary |
Directing | Jane Goldsmith | Script Supervisor |
Lighting | Marek Bojsza | Electrician |
Camera | Brad Boyer | Grip |
Directing | Hans Berggren | Second Second Assistant Director |
Production | Meredith Tucker | Casting Associate |
Lighting | Brian Lukas | Rigging Gaffer |
Lighting | Rick Uva | Rigging Grip |
Sound | Richard Moore | Sound Editor |
Sound | Concha Solano | Assistant Sound Editor |
Sound | Marnie Moore | Foley Artist |
Sound | Aaron Olsen | Assistant Sound Editor |
Sound | Ben Conrad | Foley Recordist |
Sound | Brent Brooks | Music Editor |
Sound | Rick Kline | Sound Re-Recording Mixer |
Sound | Peter Appleton | ADR Supervisor |
Art | Richard J. Bayard | Construction Coordinator |
Sound | Frank Rinella | Foley Recordist |
Sound | Kenneth Karman | Supervising Music Editor |
Editing | Bob McMillian | Color Timer |
Sound | Margie O'Malley | Foley Artist |
Crew | Peter McKernan Sr. | Pilot |
Editing | Helen Hand | Assistant Editor |
Art | Cliff Bergman | Construction Foreman |
Sound | Chris Carpenter | Sound Re-Recording Mixer |
Sound | Patrick Winters | Sound Editor |
Crew | Victor Anderson | Transportation Coordinator |
Sound | Leslie Shatz | Sound Re-Recording Mixer |
Sound | David A. Cohen | Dialogue Editor |
Sound | Alan Holly | ADR Mixer |
Editing | Gary Burritt | Negative Cutter |
Sound | Michael "Gonzo" Gandsey | Sound Editor |
Sound | Patti Tauscher | Foley Editor |
Sound | Jim Pasque | Foley Recordist |
Crew | Alfred Hitchcock | In Memory Of |
Crew | Peter McKernan | Pilot |
Sound | Robert Jackson | Boom Operator |
Crew | Robin Lynn Bonaccorsi | Stunt Double |
Costume & Make-Up | Rick Baker | Makeup Artist |
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