In 1940, author Richard Wright turns to Pulitzer Prize-winning playwright Paul Green to help adapt his best-selling book, Native Son, into a Broadway play. Days from opening night, they differ over a single page of the script.
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Production | Serena Ebhardt | Executive Producer |
Sound | Lenora Zenzalai Helm | Original Music Composer |
Costume & Make-Up | Evelyn Putnam | Makeup & Hair |
Writing | Ian L. Finley | Screenplay |
Directing | Shaun Dozier | Director |
Camera | Steve Milligan | Director of Photography |
Sound | Fred Story | Music |
Writing | James A. Hodge | Screenplay |
Production | David zum Brunnen | Executive Producer |
Art | Kendra Archer | Production Design |
Costume & Make-Up | Andrew Rose | Makeup & Hair Assistant |
Production | Ayana Johnson | Production Manager |
Art | Danielle Fricault | Set Dresser |
Sound | Taylor Parris | Sound Recordist |
Camera | Nicholas Guy | Second Assistant "A" Camera |
Camera | Hunter Stark | First Assistant "A" Camera |
Costume & Make-Up | Ruth Bryan | Wardrobe Coordinator |
Lighting | Adam Pinnell | Gaffer |
Camera | Jennifer R. Zhou | First Assistant "A" Camera |
Costume & Make-Up | Marissa Lupkas | Wardrobe Assistant |
Art | Camryn Brone-Hammer | Art Direction |
Costume & Make-Up | Serena zum Brunnen | Makeup & Hair Assistant |
Art | Meghan Cowen | Graphic Designer |
Production | Ayana Johnson | Producer |
Costume & Make-Up | Serena Ebhardt | Wardrobe Coordinator |
Sound | Aaron Bittikofer | Sound Recordist |
Crew | Margaret Bauer | Dramaturgy |
Sound | Andrew Marcadis | Sound Effects Editor |
Production | Ayana Johnson | Casting |
Crew | Taja Seafus | Carpenter |
Sound | Fred Story | Sound Designer |
Camera | Tristan Chaika | Key Grip |
Production | Nicholas Guy | Production Assistant |
Production | Andrew Nichols | Production Assistant |
Crew | Tom Church | Driver |
Crew | Bill Mitchell | Driver |
Production | Brian Wynn | Production Assistant |
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