A bible salesman finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership as a money-making con team in Depression-era Kansas.
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Directing | Peter Bogdanovich | Director |
Writing | Alvin Sargent | Screenplay |
Production | Peter Bogdanovich | Producer |
Writing | Joe David Brown | Novel |
Camera | László Kovács | Director of Photography |
Editing | Verna Fields | Editor |
Production | Gary Chason | Casting Director |
Costume & Make-Up | Rolf Miller | Makeup Artist |
Art | Mark Wade | Property Master |
Art | John P. Austin | Set Decoration |
Production | Ralph M. Leo | Production Accountant |
Crew | Dick Powell | Thanks |
Camera | Dick Colean | First Assistant Camera |
Crew | Marian Jordan | Thanks |
Crew | Jack Benny | Thanks |
Directing | Ray Gosnell Jr. | Assistant Director |
Sound | Richard Portman | Sound Re-Recording Mixer |
Crew | Rick Fields | Post Production Assistant |
Art | Polly Platt | Production Design |
Crew | Jim Jordan | Thanks |
Crew | Don Wilson | Thanks |
Lighting | Paul Caven | Electrician |
Directing | Karen Hale Wookey | Script Supervisor |
Crew | Bing Crosby | Thanks |
Crew | Frank Luther | Thanks |
Sound | William C. Carruth | Sound Editor |
Lighting | Richmond L. Aguilar | Gaffer |
Art | James H. Spencer | Set Designer |
Crew | Larry Stewart | Thanks |
Production | Frank Marshall | Associate Producer |
Camera | Bobby Byrne | Camera Operator |
Camera | George Hill | Grip |
Costume & Make-Up | Dorothy Byrne | Hairstylist |
Costume & Make-Up | Polly Platt | Costume Design |
Directing | Gary Daigler | Assistant Director |
Sound | Les Fresholtz | Sound mixer |
Sound | Kay Rose | Sound Editor |
Sound | Frank E. Warner | Sound Editor |
Production | Francis Ford Coppola | Executive Producer |
Art | Ed Shanley | Construction Coordinator |
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