Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
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| Sound | Philip Glass | Original Music Composer |
| Editing | Ron Fricke | Editor |
| Camera | Ron Fricke | Director of Photography |
| Production | Godfrey Reggio | Producer |
| Writing | Ron Fricke | Screenplay |
| Production | Francis Ford Coppola | Executive Producer |
| Directing | Godfrey Reggio | Director |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Camera | Robert Palmer | Grip |
| Writing | Guy Debord | Idea |
| Production | Mel Lawrence | Associate Producer |
| Camera | Neil Bockman | Assistant Camera |
| Camera | Christine Gibson | Additional Photography |
| Production | Roger McNew | Associate Producer |
| Production | Lawrence Taub | Associate Producer |
| Writing | Leopold Kohr | Idea |
| Writing | Jacques Ellul | Idea |
| Writing | David Monongye | Idea |
| Production | Alton Walpole | Associate Producer |
| Camera | Hillary Harris | Additional Photography |
| Camera | Wayne V. McGee | Still Photographer |
| Camera | Roy Hememnez | Grip |
| Camera | Roger McNew | Assistant Camera |
| Production | T. Michael Powers | Associate Producer |
| Camera | Mark Muich | Grip |
| Camera | Louie Schwartzberg | Additional Photography |
| Camera | Phillip Harrington | Still Photographer |
| Camera | Karl Kernberger | Still Photographer |
| Camera | Dean Alatzas | Grip |
| Camera | Robert Hill | Assistant Camera |
| Camera | David Brownlow | Assistant Camera |
| Writing | Ivan Illich | Idea |
| Sound | Randy Thom | Sound Effects |
| Writing | Michael Hoenig | Screenplay |
| Writing | Alton Walpole | Screenplay |
| Writing | Godfrey Reggio | Screenplay |
| Editing | Alton Walpole | Editor |
| Sound | Philip Glass | Music |
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