On a farm owned by Eve Trent and her sister Mary, young archaeologist Angus Flint discovers a large and inexplicable skull, which he soon deduces belonged to the D'Ampton Worm, a mythical beast supposedly slain generations ago by the ancestor of the current Lord D'Ampton. The predatory Lady Sylvia Marsh soon takes an interest in both Flint and the virginal Eve, hinting that the vicious D'Ampton Worm may still live.
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| Directing | Ken Russell | Director |
| Writing | Ken Russell | Screenplay |
| Writing | Bram Stoker | Novel |
| Production | Dan Ireland | Executive Producer |
| Production | William J. Quigley | Executive Producer |
| Production | Ken Russell | Producer |
| Sound | Stanisław Syrewicz | Original Music Composer |
| Camera | Dick Bush | Director of Photography |
| Editing | Peter Davies | Editor |
| Crew | Stuart St. Paul | Stunt Coordinator |
| Production | Gail Stevens | Casting |
| Crew | Imogen Claire | Choreographer |
| Production | Jack Lorenz | Executive In Charge Of Production |
| Production | Laura Julian | Production Manager |
| Production | Peter Elford | Location Manager |
| Production | Winnie Wishart | Production Coordinator |
| Production | Sabina Fletcher | Production Assistant |
| Directing | Christopher Hall | First Assistant Director |
| Directing | Rupert Ryle-Hodges | Second Assistant Director |
| Directing | Nick Heckstall-Smith | Second Assistant Director |
| Directing | Cordelia Hardy | Third Assistant Director |
| Directing | Lesley Cross | Script Supervisor |
| Production | William Tyler | Production Accountant |
| Production | Sarah Lucraft | Assistant Accountant |
| Camera | Clive Coote | Still Photographer |
| Camera | Steve Parker | Focus Puller |
| Camera | John Foster | Assistant Camera |
| Camera | Ben Davis | Assistant Camera |
| Camera | Mark Ellis | Key Grip |
| Crew | Robin Browne | Lighting Camera |
| Camera | Richard Brierley | Focus Puller |
| Camera | David B.A. Jones | Clapper Loader |
| Sound | John Chandler | Boom Operator |
| Sound | Richard Wells | Sound |
| Sound | Bill Rowe | Sound Mixer |
| Sound | Ray Merrin | Sound Assistant |
| Sound | Jim Roddan | Sound Editor |
| Sound | Paul Conway | Assistant Sound Editor |
| Editing | Joe Illing | First Assistant Editor |
| Editing | Wayne Smith | Assistant Editor |
| Costume & Make-Up | Diane Murphy | Wardrobe Assistant |
| Costume & Make-Up | Jenny Hawkins | Wardrobe Assistant |
| Costume & Make-Up | Karen Edwards | Hairdresser |
| Art | Chris Townsend | Set Dresser |
| Art | Kate Kilroy | Set Buyer |
| Art | Rodney Pincott | Property Master |
| Art | Eddie McMahon | Standby Property Master |
| Art | Ron Higgins | Standby Property Master |
| Costume & Make-Up | Geoffrey Portass | Makeup Designer |
| Visual Effects | Simon Sayce | Special Effects Supervisor |
| Visual Effects | Neill Gorton | Modeling |
| Visual Effects | Kate Murray | Modeling |
| Visual Effects | Stuart Conran | Modeling |
| Visual Effects | Cliff Wallace | Modeling |
| Visual Effects | John Cormican | Modeling |
| Visual Effects | Arlind Junkerman | Modeling |
| Visual Effects | Mark Coulier | Modeling |
| Crew | William Petty | Special Effects Technician |
| Crew | Dave Keen | Special Effects Technician |
| Crew | Roy Puddefoot | Special Effects Technician |
| Crew | Mary Roberts | Special Effects Technician |
| Crew | Gary Ryan | Special Effects Technician |
| Crew | Alistair McPherson | Special Effects Technician |
| Crew | Karen Winnery | Special Effects Technician |
| Crew | Alan Hedgcock | Special Effects Technician |
| Crew | Steven Painter | Special Effects Technician |
| Crew | Warwick Sayce | Special Effects Technician |
| Crew | Paul Jones | Special Effects Technician |
| Art | Alastair Gow | Construction Manager |
| Art | Tommy Westbrook | Standby Carpenter |
| Art | Ken Hawkey | Standby Painter |
| Lighting | Con Murphy | Standby Rigger |
| Crew | Robin Thistlethwaite | Carpenter |
| Crew | Tom Bowyer | Carpenter |
| Crew | Steven Sallybanks | Scenic Artist |
| Crew | James Hunt | Scenic Artist |
| Lighting | Steve Blake | Gaffer |
| Lighting | Ronnie McKay | Best Boy Electric |
| Lighting | Tommy O'Sullivan | Electrician |
| Lighting | Graham Newton | Electrician |
| Lighting | Mark Gay | Electrician |
| Crew | Jim Coward | Generator Operator |
| Visual Effects | Alan Whibley | Special Effects Supervisor |
| Sound | Daniel Vallancien | Sound Engineer |
| Production | Ronaldo Vasconcellos | Line Producer |
| Costume & Make-Up | Michael Jeffery | Costume Designer |
| Art | Anne Tilby | Set Designer |
| Crew | Chrissy Monk | Stunt Double |
| Crew | Abbi Collins | Stunt Double |
| Art | John Ralph | Art Direction |
| Art | Anne Tilby | Production Design |
| Costume & Make-Up | Elizabeth Moss | Makeup Artist |
| Costume & Make-Up | Pam Meager | Makeup Artist |
| Sound | Nigel Galt | Sound Editor |
| Sound | Ray Beckett | Sound Mixer |
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