On a farm owned by Eve Trent and her sister Mary, young archaeologist Angus Flint discovers a large and inexplicable skull, which he soon deduces belonged to the D'Ampton Worm, a mythical beast supposedly slain generations ago by the ancestor of the current Lord D'Ampton. The predatory Lady Sylvia Marsh soon takes an interest in both Flint and the virginal Eve, hinting that the vicious D'Ampton Worm may still live.
Unfortunately the movie The Lair of the White Worm is not yet available on Netflix. Follow us on Facebook to see when The Lair of the White Worm becomes available on Netflix!
| Production | Dan Ireland | Executive Producer |
| Camera | Dick Bush | Director of Photography |
| Production | Ken Russell | Producer |
| Directing | Ken Russell | Director |
| Production | William J. Quigley | Executive Producer |
| Writing | Ken Russell | Screenplay |
| Sound | Stanisław Syrewicz | Original Music Composer |
| Editing | Peter Davies | Editor |
| Writing | Bram Stoker | Novel |
| Crew | Imogen Claire | Choreographer |
| Production | Gail Stevens | Casting |
| Production | Jack Lorenz | Executive In Charge Of Production |
| Production | Laura Julian | Production Manager |
| Directing | Cordelia Hardy | Third Assistant Director |
| Crew | Stuart St. Paul | Stunt Coordinator |
| Production | Peter Elford | Location Manager |
| Camera | Ben Davis | Assistant Camera |
| Sound | John Chandler | Boom Operator |
| Sound | Ray Merrin | Sound Assistant |
| Production | William Tyler | Production Accountant |
| Camera | Steve Parker | Focus Puller |
| Directing | Rupert Ryle-Hodges | Second Assistant Director |
| Crew | Robin Browne | Lighting Camera |
| Sound | Richard Wells | Sound |
| Camera | Richard Brierley | Focus Puller |
| Sound | Bill Rowe | Sound Mixer |
| Directing | Lesley Cross | Script Supervisor |
| Camera | John Foster | Assistant Camera |
| Camera | Mark Ellis | Key Grip |
| Directing | Christopher Hall | First Assistant Director |
| Production | Winnie Wishart | Production Coordinator |
| Production | Sabina Fletcher | Production Assistant |
| Production | Sarah Lucraft | Assistant Accountant |
| Camera | David B.A. Jones | Clapper Loader |
| Directing | Nick Heckstall-Smith | Second Assistant Director |
| Art | Ron Higgins | Standby Property Master |
| Costume & Make-Up | Geoffrey Portass | Makeup Designer |
| Visual Effects | Stuart Conran | Modeling |
| Sound | Jim Roddan | Sound Editor |
| Art | Eddie McMahon | Standby Property Master |
| Visual Effects | Arlind Junkerman | Modeling |
| Crew | Tom Bowyer | Carpenter |
| Art | Rodney Pincott | Property Master |
| Visual Effects | John Cormican | Modeling |
| Visual Effects | Mark Coulier | Modeling |
| Camera | Clive Coote | Still Photographer |
| Costume & Make-Up | Karen Edwards | Hairdresser |
| Costume & Make-Up | Diane Murphy | Wardrobe Assistant |
| Editing | Joe Illing | First Assistant Editor |
| Crew | William Petty | Special Effects Technician |
| Sound | Paul Conway | Assistant Sound Editor |
| Costume & Make-Up | Jenny Hawkins | Wardrobe Assistant |
| Art | Chris Townsend | Set Dresser |
| Crew | Dave Keen | Special Effects Technician |
| Visual Effects | Kate Murray | Modeling |
| Crew | Roy Puddefoot | Special Effects Technician |
| Art | Kate Kilroy | Set Buyer |
| Visual Effects | Neill Gorton | Modeling |
| Editing | Wayne Smith | Assistant Editor |
| Visual Effects | Simon Sayce | Special Effects Supervisor |
| Visual Effects | Cliff Wallace | Modeling |
| Crew | Alan Hedgcock | Special Effects Technician |
| Crew | Steven Painter | Special Effects Technician |
| Lighting | Mark Gay | Electrician |
| Crew | Karen Winnery | Special Effects Technician |
| Crew | Paul Jones | Special Effects Technician |
| Art | Tommy Westbrook | Standby Carpenter |
| Crew | Robin Thistlethwaite | Carpenter |
| Crew | Steven Sallybanks | Scenic Artist |
| Crew | James Hunt | Scenic Artist |
| Crew | Alistair McPherson | Special Effects Technician |
| Lighting | Ronnie McKay | Best Boy Electric |
| Lighting | Graham Newton | Electrician |
| Crew | Warwick Sayce | Special Effects Technician |
| Lighting | Con Murphy | Standby Rigger |
| Art | Alastair Gow | Construction Manager |
| Crew | Gary Ryan | Special Effects Technician |
| Crew | Jim Coward | Generator Operator |
| Lighting | Steve Blake | Gaffer |
| Crew | Mary Roberts | Special Effects Technician |
| Lighting | Tommy O'Sullivan | Electrician |
| Visual Effects | Alan Whibley | Special Effects Supervisor |
| Art | Ken Hawkey | Standby Painter |
| Sound | Daniel Vallancien | Sound Engineer |
| Production | Ronaldo Vasconcellos | Line Producer |
| Costume & Make-Up | Michael Jeffery | Costume Designer |
| Art | Anne Tilby | Set Designer |
| Crew | Abbi Collins | Stunt Double |
| Crew | Chrissy Monk | Stunt Double |
| Sound | Ray Beckett | Sound Mixer |
| Art | John Ralph | Art Direction |
| Costume & Make-Up | Pam Meager | Makeup Artist |
| Costume & Make-Up | Elizabeth Moss | Makeup Artist |
| Art | Anne Tilby | Production Design |
| Sound | Nigel Galt | Sound Editor |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
