After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
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| Directing | D. J. Caruso | Director |
| Writing | Tony Gayton | Screenplay |
| Production | Butch Robinson | Producer |
| Editing | Jim Page | Editor |
| Sound | Thomas Newman | Original Music Composer |
| Production | Frank Darabont | Producer |
| Crew | Danny Wynands | Stunts |
| Crew | Tim Trella | Stunts |
| Camera | Amir Mokri | Director of Photography |
| Crew | Doc Duhame | Stunts |
| Costume & Make-Up | Bill Corso | Makeup Department Head |
| Production | Ken Aguado | Producer |
| Production | Eriq La Salle | Producer |
| Production | Jim Behnke | Executive Producer |
| Production | Deborah Aquila | Casting |
| Art | Tom Southwell | Production Design |
| Art | Douglas Cumming | Art Direction |
| Art | Amanda Moss Serino | Set Decoration |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Production | Jim Behnke | Production Manager |
| Crew | Christy Dimmig | Post-Production Manager |
| Production | Alison Harstedt | Production Supervisor |
| Directing | Tony Adler | First Assistant Director |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Costume & Make-Up | Patricia Miller | Key Hair Stylist |
| Costume & Make-Up | Ashlee Petersen | Key Makeup Artist |
| Costume & Make-Up | Ken Diaz | Tattoo Designer |
| Art | Steve Borgese | Greensman |
| Art | Larry Guy Clause | Construction Foreman |
| Art | John R. Elliott | Construction Coordinator |
| Crew | David Fanderlik | Propmaker |
| Art | Kenneth Garrett | Sculptor |
| Art | Tim Gomes | Painter |
| Art | Kent Johnson | Art Department Coordinator |
| Art | Lynda Reiss | Property Master |
| Art | Eric Sundahl | Set Designer |
| Art | Greg Wilkinson | Leadman |
| Sound | Mary Andrews | Dialogue Editor |
| Sound | Petra Bach | Dialogue Editor |
| Sound | Thom Brennan | Foley Editor |
| Sound | Eric Bretter | Sound Recordist |
| Sound | Howell Gibbens | Supervising Sound Editor |
| Sound | Elizabeth Kenton | Supervising ADR Editor |
| Sound | Mark Mangini | Sound Effects Designer |
| Sound | Bill Shotland | Boom Operator |
| Sound | George Simpson | Sound Effects Editor |
| Crew | Darrell Pritchett | Special Effects Coordinator |
| Crew | Manny Perry | Stunt Coordinator |
| Lighting | Greg Cantrell | Best Boy Electric |
| Camera | Philippe Carr-Forster | Camera Operator |
| Camera | Daniel C. Gold | Camera Operator |
| Camera | John Grillo | First Assistant Camera |
| Lighting | Kris Guthrie | Rigging Grip |
| Camera | Chris Haarhoff | Steadicam Operator |
| Lighting | George A. Hock | Rigging Gaffer |
| Camera | Richard Mall | Key Grip |
| Camera | David Pearlberg | Dolly Grip |
| Lighting | Max Pomerleau | Chief Lighting Technician |
| Lighting | Morten Petersen | Lighting Technician |
| Camera | Stephen Vaughan | Still Photographer |
| Lighting | Joseph F. Warren | Gaffer |
| Costume & Make-Up | Alison Gail Bixby | Costume Supervisor |
| Costume & Make-Up | Leslie Sungail | Key Costumer |
| Editing | Vince Filippone | First Assistant Editor |
| Editing | Tracey Wadmore-Smith | First Assistant Editor |
| Production | Bob Berkus | Location Manager |
| Production | Rob Gibson | Location Manager |
| Sound | Bill Bernstein | Music Editor |
| Sound | Thomas Pasatieri | Orchestrator |
| Crew | David Aaron | Armorer |
| Crew | Ruth Auerbach | Studio Teachers |
| Crew | Roland Bleitz | Armorer |
| Crew | Judith M. Brown | Studio Teachers |
| Production | Shari LaFranchi Blakney | Production Coordinator |
| Directing | Susan Malerstein | Script Supervisor |
| Crew | Thomas John McGowan | Studio Teachers |
| Crew | Jack Tice | Studio Teachers |
| Crew | Henry Kingi | Stunts |
| Crew | Bob Brown | Stunts |
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